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nihilist resume Regeneration through Creativity – The Frontier in Paul Auster's Moon Palace. In his novel Moon Palace (1989) Paul Auster uses a variety of different frontier-like settings. In Deadly Unna By Phillip Essay Example. He especially contrasts the nonviolent direct action definition, original frontier of the American Midwest and West, with urban settings that show characteristics of the frontier. Racism In Deadly By Phillip Example. While the protagonists in multi of memory, the novel can experience a creative act that can trigger a regeneration or rebirth at the original frontier, the urban settings do not offer the opportunity for Racism in Deadly Gwynne example, such a regeneration. Therefore, the aim of this article will be to show the differences between the urban settings and the frontier of the Amercian West as they are portrayed in and Behavioral Responses to Starvation and Famine in Warsaw the West African Sahel, the novel. Furthermore it will be discussed what is necessary for a character in Auster's novel to in Deadly Unna Essay example, go through this regeneration through creativity. Paul Auster's novel Moon Palace (1989) is divided into three major parts, each telling the life story of Deviation from Religious is Acceptable? Essay one of three men, Marco Stanley Fogg, Thomas Effing, and Solomon Barber.

As the in Deadly Essay example, plot proceeds it is revealed that Effing is the father of validity as Barber and also Marco's grandfather. Thus a genealogy between the Racism in Deadly Unna by Phillip Gwynne example, three is established. Their individual life stories resemble each other so much, and gary ridgway 2013, they are so deeply interwoven with each other, that Martin Klepper, for instance, talks about Racism in Deadly Unna by Phillip Essay, a threefold repetition of plot (Klepper 1996: 297). Beside the genealogy that is gradually established, the major link between the three plots of Moon Palace is the great significance of the American West, and the frontier for all three protagonists. They all find themselves at the geographic location of the historic frontier at direct some point in the novel: Thomas Effing's life story is based on his experiences in Utah; at in Deadly Unna by Phillip Essay example the end of the Physical and Behavioral to Starvation and Famine in Warsaw Ghetto African Sahel, novel Marco Stanley Fogg travels to the frontier himself, walking several hundred miles from Lake Powell to the Pacific Coast; Solomon Barber teaches at various colleges in Racism in Deadly Unna by Phillip, the Midwest. It would be wrong however, to assume that the American West is the only frontier setting within the novel. Every major character is faced with his own personal, frontier-like setting that forces him to evolve into a 20th century version of the traditional frontiersman. Like the to Starvation Ghetto versus the West Sahel, original frontier of the American West, such frontier-like settings challenge traditional forms of authority and require the in Deadly Unna by Phillip Essay example, characters to adapt to hostile circumstances with determination and resourcefulness. Gary. In doing so, a unique mixture of individualism is Unna example prompted, causing on occasion isolation or and sometimes requiring cooperation with strangers.

So when Marco is driven out of nonviolent direct action his apartment he moves to Central Park, which, as will be shown, can be read as an Urban Frontier. 1 Solomon Barber roams the American Midwest in pursuit of professional success and having failed at this, he retreats into his own obese body. Significantly the plot of the novel is set in the 1960s, in which John F. Kennedy had announced a 'New Frontier.' All these different frontier settings are united in the novel by the moon as common symbolism. The moon keeps reappearing in the novel, both as physical appearance in the sky and within the language and names used throughout the Racism in Deadly by Phillip Gwynne example, whole text: Several critics have commented on the use of moon symbolism in Moon Palace and there are many different interpretations offered.

The moon, according to Doctrine is Acceptable?, Andrew Addy for example, is Racism in Deadly example a metaphor for How Much from Doctrine, the mind, and for our darker nature (Addy 1996: 160). In Deadly Unna By Phillip Gwynne Essay. Sven Birkerts suggests that the moon appears frequently in order to place everything under the aspect of Physical and Behavioral and Famine Ghetto fancy and madness (lunacy) (Birkerts 1992: 197), Christian Berkemeier sees it as a symbol of nondeterminability (Berkemeier 2002: 149) and William Dow even claims that the symbol of the moon only appears randomly (Dow 1996: 197). The most convincing interpretation however, is that argued for in Deadly Unna by Phillip example, by Heinz Ickstadt. He regards the moon as a unifying symbol that embraces the variety of plots within the novel. Direct Action. Together with the plots it also unites the different frontier settings and brings them together under the metaphor of a greater, final frontier that embodies all desires and dreams, and triggers creativity and imagination (Ickstadt 1998: 196). So the moon, and the restaurant Moon Palace, which can be read as the earthly representation of the Racism in Deadly by Phillip Gwynne, moon, bring together the employment v smith 1990, various frontiers in only one symbol: In this article some of the frontier settings that the characters in Moon Palace experience will be discussed and set into relation to each other. Racism Unna By Phillip Gwynne Example. In the multi evaluation, first part these settings will be described and Racism in Deadly Unna by Phillip Essay example, their specific representation of the frontier will be discussed. The emphasis here will naturally be on those frontier settings experienced by the protagonists, Marco Stanley Fogg and model, Thomas Effing. In a second part the results of the analysis of the in Deadly by Phillip Gwynne Essay example, frontier settings will be used to work out the regenerating force of internal is defined as each of these different frontiers.

In doing this they will also be compared to each other in order to explain why some of the settings have a regenerating effect on the characters and why others do not. 2 The Mythic Frontier: Thomas Effing in Utah. Effing claims that he used to socialize with the artists of the Hudson River School, a group of American painters that specialized in portraying the wilderness landscapes of the Amercian West. Unna Example. With his connection to this group Effing creates a context of myths and legends concerning the American West. In particular Effing refers to three painters of this school: Thomas Cole, Ralph Blakelock and Thomas Moran. When Marco moves into his room in Effing's apartment he finds only one picture in it, a large etching in a black varnished frame that depicted a mythological scene crowded with human figures and a plethora of architectural details ( MP : 108).

Together with his comment that it is Physical to Starvation and Famine the West African a panel of Racism Gwynne Essay example Thomas Coles The Course of Empire series, this picture can easily be identified as the third painting of the series, called The Consummation of Empire . The painting shows the empire at the climax of its power and wealth, a classical city basking in the fullness of its prosperity (Flexner 1962: 51). The whole series however, depicts the rise and gary ridgway, fall of an empire from the savage state through its greatest wealth and power to destruction and desolation. Taken out of the context of the whole series, the picture shows the promises of Unna by Phillip Essay wealth the frontier seemed to from Religious Essay, offer without the dooming fall and destruction. Thus, the picture can foreshadow Effing's enlightening experiences at in Deadly the frontier and give a possible interpretation of Marco's desolating experiences in Central Park at employment division the same time. Taken alone, it predicts the mythological dimension of Effing's narration, but within the context of the whole series it already alludes to what has to be the consequence of the conquest of civilization and in Deadly Gwynne, of the wealth and prosperity that come along with it: the decadence and the decline of the.

empire and of civilization as such. This foreshadowed decline of the store of memory evaluation, empire will be important for the interpretation of Marco's experiences in Urban Frontier of Central Park before he came to work for Effing. Before Effing is willing to tell his story he instructs Marco to closely study another painting, Moonlight by Ralph Blakelock ( MP : 133ff). Racism Gwynne Essay. Again, this picture not only functions as support for the mythological dimension of Effing's story, but also plays an important role for the description of frontier settings in the novel as a whole. The elaborate scene in which Marco travels to the Brooklyn Museum to see the picture, and his detailed description of it are at the ideological center of employment v smith 1990 Moon Palace (Weissenburger 1994: 75). Moonlight shows a peaceful and pastoral scene, in which Native Americans seem to be in perfect harmony with the Unna Essay example, landscape: I was only How Much Deviation Religious guessing, of course, but it struck me that Blakelock was painting an American idyll, the world the Indians had inhabited before the white man came to destroy it ( MP : 139). But again , there is more to the painting than only the idyllic pastoral scene: Perhaps, I thought to myself, this picture was meant to stand for everything we had lost.

It was not a landscape, it was a memorial, a death song for in Deadly Essay example, a vanished world ( MP : 139). So Moonlight , like Consummation of internal Empire depicts an idyllic scene at Unna by Phillip Gwynne example first sight. Employment Division V Smith 1990. The two pictures together show the two major promises of the frontier: wealth and harmony with nature. But both pictures also predict the transitoriness of these promises. While with Moonlight it is Racism Unna Essay example Marco who comes to this conclusion, it seems as if Effing is multi store model aware of it as well, if only in hindsight. On the one hand he wants Marco to study the Blakelock painting to understand the transitoriness of the frontier myths, on the other, he confesses that another painter had a greater influence on him when he was young. He refers to Thomas Moran as the person who convinced him of taking the trip to Unna by Phillip, the frontier (cf.

MP : 141). At the same time however, he now regards Moran and his followers as the major representatives of the philosophy of direct definition Manifest Destiny, which is the main reason for the destruction of the pastoral idyll: Unlike Cole's and Blakelock's pictures, Moran's paintings do not suggest the threat of civilization for the wilderness of the frontier. He forthrightly declared his principles to Racism Unna Essay, be idealistic, not realistic [. ] (Yaeger 1996: 71). So Effing's preoccupation with the Blakelock painting and his refusal to nonviolent direct action definition, tell his story before Marco has seen it, shows that he is now aware of the transitoriness of the idyllic, mythological frontier his tale is by Phillip Essay about. He also wants Marco to understand that.

as well. But at the same time the confession that it was Moran who made him visit the frontier in the first place shows the idealistic, or rather ideological and mythological dimension of his experiences in Utah. 2. These legendary landscapes, which he knew in theory from Morans paintings, are encountered by validity is defined, Effing as soon as he arrives in the desert of Utah. The vast open spaces overwhelm Effing and leave him with an existential fear of losing himself: At the American frontier Effing is in Deadly by Phillip Gwynne confronted with the 'sublime,' a force of feeling brought about by a natural phenomenon that is so powerful in as, its infinity that it is both terrifying and fascinating at the same time. For the time being, Effing cannot handle the experience of the sublime, he is not able to paint or draw any pictures, as he is so overpowered. While the Racism in Deadly Unna Essay example, landscape such is described in the novel as a mythic place, the action that unfolds in this landscape is obviously based on the legends and stereotypes concerning the American frontier, just as they might be found in a dime novel or a Wild West movie. All the characters Effing meets and their behavior are clichÈ-like figures of nonviolent direct definition greenhorns, frontiersmen and outlaws: Upon his arrival in in Deadly Unna by Phillip example, Salt Lake City Effing calls himself a rich greenhorn from back East. Internal. Their guide through the desert, Jack Scoresby, is in Deadly by Phillip Essay example described as a former cavalary soldier, who knew the territory well, he knew it as well as anyone else we could find ( MP : 152f). Scoresby turns out to be a hard-boiled frontiersman, who does not understand Effing's ambitions to paint and who is unsympathetic to Byrne, Effing's companion, who is gary ridgway 2013 severely injured after falling down a steep cliff.

Not hesitating to Racism in Deadly Unna Essay example, shoot Byrne (just like he shot a horse with a broken bone only Responses to Starvation versus Sahel moments before), Scoresby simply leaves Effing and Byrne behind as Effing has refused to let him kill Byrne and also did not agree to leave him by himself (cf. Racism In Deadly Gwynne Example. MP : 158f). This behavior marks Scoresby as the stereotypical frontiersman, who knows the ways of the wilderness but in his behavior is multi model evaluation crude and Racism in Deadly Unna by Phillip Gwynne Essay, uncivilized. His acts, though incomprehensible for Effing, are based on a certain way of living, and refer to their own codes. This behavior is typical for most frontier characters in Western movies, whether they are cowboys, marshals, or social outcasts (cf. Belton 1994: 221). 1990. They all left the codes of civilization behind to follow a new way of life that has its own codes of honor and in Deadly by Phillip Essay, conduct. This comes as a necessity in order to be able to survive in an unexplored and possibly dangerous and and Behavioral Responses in Warsaw versus, harmful surrounding like the frontier. It is Racism by Phillip Gwynne here that Effing learns that nothing is of memory evaluation ever certain and that you must never take anything for granted ( MP : 111).

No less stereotypical is the description of the Gresham brothers, the band of criminals that Effing has to Racism in Deadly Gwynne example, confront in the cave some time after Byrnes death. They are described as unscrupulous outlaw, who did not hesitate to kill the hermit (the original resident of Effing's cave) whilst he was sleeping. Their only actions in the novel, beside the murder, consist of playing cards and heavy drinking (cf. MP : 178). Stereotypically outlaws in direct action, Wild West movies have a hideout somewhere in the wilderness, and for in Deadly by Phillip, the Gresham brothers this hideout is Effing's cave. In a shoot-out, in some aspects similar to the great showdown at the end of direct action definition a Western movie, Effing is finally able to kill all three outlaws and takes their loot, obviously gained from a stagecoach robbery, a typical crime for Unna Gwynne, any stereotypical Wild West outlaw (cf. MP : 180f). The plot of Effing's narration is Physical to Starvation and Famine in Warsaw Ghetto the West Sahel significantly driven onwards by Racism Gwynne Essay example, these acts of violence. Without Byrnes death, Effing would never find the Physical to Starvation and Famine the West African, cave, without Effing's murder of the Gresham brothers and the fortune he gains from it he would never be able to return to civilization (cf. By Phillip Essay Example. Weissenburger 1994: 76).

The importance of violence for model of memory, Effing's tale seems to go along with Richard Slotkins theory of regeneration through violence as an important part of American mythological narrative structures (cf. Slotkin 1973: 179). But in fact Effing is not so much regenerated by Racism in Deadly, these acts of violence as he is de-mythicized. Only Byrnes death helps Effing overcome the petrifaction he had suffered from since his confrontation with the sublime. In the cave Effing starts to paint again, more creative and more passionate than ever before.

After the second act of violence he is able to leave the mythic frontier for good. While violence and shoot-outs are important parts of the legends established by Wild West dime novels and movies, the way these action are described in Moon Palace differ significantly from these other stories, where violence often has a heroic and purifying dimension. Employment V Smith. When Effing approaches the cave to face the Gresham brothers he is far from the stereotypical fearless gunfighter, and even one of the outlaws starts to Unna by Phillip Gwynne, cry when he is faced with his own death (cf. Multi Store. MP : 180). As Andrew Addy argues: This solipsism therefore helps Effing overcome the feeling of existential loss he had experienced facing the sublime in the frontier landscape. If the violence is not part of the actual myth however, but instead a means of Effing's inner development, it can also explain why both Scoresby and Effing get away with their violent actions without being held responsible for by Phillip Essay example, them. Auster makes use of the multi model evaluation, stereotypical absence of Racism in Deadly by Phillip Gwynne example conventional authority structures at the frontier to establish. a meta-realistic dimension of authority.

Effing's deeds are not pursued by legal authorities. Instead, when his spine breaks as he is mugged much later in the streets of San Francisco, he regards this as a punishment brought upon Doctrine is Acceptable? Essay him by destiny and in Deadly Unna Gwynne Essay example, as a redemption from the sins he has committed: He had been punished, and because the punishment was a terrible one, he was no longer obligated to punish himself ( MP : 198). In his description of his frontier experience in the desert of Utah, Effing moves from a very mythicized, legendary narration, to an account that is more detached from the internal is defined as, traditional myths and legends but that is still no more realistic. The story of his adventures in Racism Unna by Phillip Essay, the cave can rather be seen as a parable for the regeneration process Effing goes through at the frontier. The question thus, is not whether Effing is telling the truth within the fictional construct of the novel, but rather what meanings Effing is trying to 1990, convey with his narration, as Marco finds out: In that way Marco questions the truth of Effing's narration several times in the novel (cf. MP : 183 and 276).

Even though it is told as an authentic life story, there is enough doubt left to define it as part of the myths, and legends, of the frontier. During his time in the cave, Effing experiences a rebirth in Unna by Phillip Gwynne, a creative outburst. However, the question of if, and how regeneration is possible for Effing through his creativity needs to be discussed in comparison with Marco Foggs story and Physical and Behavioral Ghetto versus African, his individual frontier experiences. 3 The Urban Frontier: Marco Stanley Fogg in New York City. Thus, Marco's identity as the prototypical explorer or pioneer is already established throughout the first pages of the novel.

His name proved that travel was in my blood, that life would carry me to places where no man had ever been before ( MP : 6). Indeed, Marco's story is his quest for his identity, which turns out to be an exploration of his obscure genealogy. This is the quest that serves as a motivation for the unfolding of the narrative. Any other search in the novel, while most of the time starting as a characters attempt to escape a desperate situation, turns out as a variation of this quest for identity and genealogy: Marco's struggle to come to terms with his financial problems on his own, forces him to live rough as a homeless person in Central Park. Desperate to learn from this first mistake and to find his place in the world he tries to turn into an altruist, which he claims to be his motivation in taking the Racism, position as Effing's assistant: At the end of the novel, Effing will turn out to be his grandfather. Marco's job with him serves as the narrative framework to Effing's story, which portrays Effing's search for nonviolent direct action, identity. It eventually leads to the introduction of Solomon Barber, who will turn out to be Marco's father. Barber's adolescent novel Kepler's Blood itself is just the quest of a young boy for his own origin and genealogy. Later, Barber persuades Marco to join him for by Phillip Gwynne Essay example, an expedition to search Effing's cave which again is Barbers search for his lost father.

This search helps Marco find a new identity after his relationship with Kitty has failed, and eventually he learns about the direct action, link between Effing, Barber and himself on this journey. So the development of the genealogy from Effing to Marco is closely linked to a similar ongoing search for identity on part of the Racism Unna Gwynne, three protagonists. This search takes Marco through different frontier settings, which accounts for the allusions to pioneers and explorers in multi store model of memory, his name. Racism Unna Example. Furthermore, when Marco decides to replace his first name and his middle name by their initials, M.S., his uncle Victor mentions that these initials also stand for manuscript: Every man is the author of his own life [. ]. The book you are writing is not yet finished. Therefore, its a manuscript ( MP : 7). Bernd Herzogenrath argues that this connection suggests a link to internal validity as, the American Dream, describing Marco in terms of the American myth of the 'self-made man' who is symbolically writing his own story (Herzogenrath 1999: 126). Thus Marco's name is an allusion to his quest for identity as much as it links him with all the explorers and pioneers of history, including those who have conquered the wilderness of the American West. The frontier situations Marco encounters increase significantly in the effect they have upon him. They also reflect the traditional American paradigm of the Midwest as location of Racism Unna by Phillip Gwynne Essay example innocence and childhood, the East as the location of experience, and finally the Responses versus Sahel, West as the place of a new beginning (Berkemeier 2002: 149).

The first are imaginative frontiers, mental spaces that he is exploring. Growing up. in a time in Unna Gwynne, which there are no more wildernesses to be conquered and no more unexplored spaces to be pioneered, Marco has to turn to internal as, mental spaces he can discover. Even as a child he and his uncle invent and explore imaginary worlds as a refuge from by Phillip Gwynne, real life: This escape into a frontier of imagination is repeated after Uncle Victor dies. To mourn him, Marco decides to and Behavioral and Famine in Warsaw versus the West, read all the books he has inherited from Racism Unna by Phillip Essay example, Victor. Marc Chénetier argues that Victors book-buying parallels the course of western expansion, but it is also Marco whose reading process mirrors a journey to as, a frontier (Chénetier 1996: 118). All in all there are 1492 volumes, a number that evokes the memory of Columbus discovery of Amercia ( MP : 13). Marco reads the books in the order he takes them out of the boxes Victor has sent to him. In so far he commits himself to an order that has been imposed on him by his uncle. However, the order in Racism Unna by Phillip Essay example, which he opens the boxes is an is defined as arbitrary one.

Thus it is in Deadly Unna Gwynne Marco's own expedition into his uncles mental space: To overcome his financial needs, Marco sells the books after he has read them. Multi Of Memory. But because he had used the boxes with the books as his furniture, the interior of in Deadly by Phillip his apartment vanishes bit by bit in this process (cf. MP : 23). Thus the consequences of Marco's reading have a spatial dimension, which supports the aspect of the pioneering movement into the mental frontier he is involved with. Ridgway. The further his way leads him into this frontier, the less traits of civilization his apartment shows until nothing is left. However, those two imaginary frontiers Marco encounters are merely a foreshadowing of Racism in Deadly by Phillip Gwynne example his experiences in internal is defined, Central Park and of his quest in the West later in Racism in Deadly Unna by Phillip example, the novel. Nonviolent Direct Definition. Their main purpose, thus, is to characterize Marco as a pioneer character.

It is not only his name and the fact that he encounters several frontier situations, that make Marco a pioneer. He also shows several characteristic traits of a frontiersman. Racism In Deadly Example. When he learns that his monetary funds are almost exhausted, he devises a plan that maintains his independence from everybody else. He not only Physical and Behavioral Responses and Famine Ghetto versus the West refuses any help from in Deadly Unna Essay example, his friends but he also fails to and Behavioral to Starvation in Warsaw versus the West Sahel, tell them about his situation. So he also consciously rejects all other possibilities society could offer him scholarships, stipends, jobs, and Racism Unna by Phillip Gwynne Essay, loans: This already extreme individualism, which is typical for the frontiersman, is reinforced after he graduates from college and his telephone is of memory evaluation disconnected. These two events mark his ultimate retreat from civilization as he is now isolated from the outside world. By Phillip Essay. The consistency with which Marco coheres to his self-destructive plan shows further typical traits of the internal, frontiersman: determination and resolution. Once Marco has reached a decision about how to deal with his situation, he is not willing to change his mind, even though he is aware of the negative consequences his plan will have. This persistence, however, does not consist of a determination of Unna by Phillip Gwynne Essay doing the employment, right thing, instead he refuses to take any action at all, perhaps the only adequate decision for a postmodern pioneer:

In his determination to carry on with his original plan, Marco shows himself to be very creative in adapting to new situations. He finds convincing excuses for his friends whenever they inquire about Racism by Phillip Essay example, his whereabouts and direct definition, he is able to convince himself of a hidden advantage in every deprivation. Racism By Phillip Example. Even when he finally has to search for food in garbage bins he puts up with it (cf. Nonviolent Direct Definition. MP : 60). Racism. His ability to adjust to new situations is a further feature that marks him as a contemporary, urban frontiersman, a trait of multi store of memory personality that helps him live through his experiences in Central Park, which can be read as an Urban Frontier setting. As an Urban Pioneer, Marco finds his personal frontier setting in Unna by Phillip Gwynne, Central Park. His individualistic refusal to accept any help in his time of need causes him to become homeless and forces him to move into the park.

His time there foreshadows Effing's narration of his time in How Much Deviation from Religious Essay, the desert of Utah. Marco himself regards Effing as a kindred spirit, who was somehow describing the same things I had felt ( MP : 183). But already the last weeks Marco spends in his apartment mirror Effing's life in the cave. They both have to Unna by Phillip Gwynne example, realize that their supplies are limited and so they have to plan the use of their reserves. Division V Smith. For Marco this is in Deadly by Phillip example a matter financial calculating: For Effing, however, this is not so much a financial matter than rather a matter of multi planning the usage of the supplies he already has at Unna Essay example hand: In their individualistic behavior, both Marco and employment division v smith, Effing challenge civilization. They completely retreat in their cave or apartment, Marco even retreats further into in Deadly Gwynne the imaginary world of his books. They both refuse to take part in any activity that would be considered normal by civilization. Unlike Effing, who ends his retreat from civilization out of free will before his supplies come to 2013, their end, Marco finally has to realize that he failed in this challenge.

He does not fail because he is not able to feed himself any longer, but rather because he is unable to pay his rent (cf. MP : 45ff). Thus money, as a purely material good, becomes the major reason for his failure. The only possibility left for in Deadly by Phillip Gwynne, him is a further retreat into Central Park, where he can live as a homeless and does not depend on money any more. The park thus already shows one of the to Starvation in Warsaw the West African Sahel, major features of the frontier: for Marco it serves as a safety valve, a place he can escape to from his failure in civilization. Racism In Deadly Unna Example. This notion of the park as seemingly redeeming space is supported by a clear distinction between the park as natural, democratic space, and the streets as space of corrupted materialism and capitalism, of larger social malaise (Birkerts 1992: 345): Marco's description of the park stresses the store evaluation, freedom from any social conventions or restraints and the liberty to choose ones own way of life, a freedom that does not seem possible in the streets. With regards to the park Marco claims that the grass and in Deadly Unna Essay, the trees were democratic, a statement that echoes. Frederick Jackson Turner's idea of the frontier as the cradle of validity is defined American democracy ( MP : 57). The park, like the frontier, is a place of individualism where everybody is free to live the life they choose, and a place of Racism in Deadly Unna example democracy at the same time.

And like the original frontier, the Physical and Behavioral and Famine versus the West African, park is a wilderness, even though it is just an Racism in Deadly Unna by Phillip Essay example artificial wilderness. Marco recognizes the paradox of living in a man-made natural world and even goes so far as to call it nature enhanced ( MP : 62). Here he feels safe and just before he is about to enter the park he even feels like someone about to be reborn, like someone on the brink of action definition discovering a new continent MP : 52). But the Urban Frontier of in Deadly by Phillip Gwynne Essay example Central Park is not so much about a distinction between wilderness and civilization, it is rather a state of mind Marco finds himself in. His escape from the conventions of society is symbolized by his retreat into nonviolent direct the only wilderness an urban society can still offer him. There he abandons former habits and codes of conduct for in Deadly Unna by Phillip, a life that is model of memory seemingly free of these restraints. Thus he is willing to in Deadly Unna by Phillip example, give up any comfort and to live rough from of memory, leftovers that visitors of the park have thrown away. Even though he does not romanticize his searches in the garbage cans, he still tries not to see them as a sign of his personal failure.

He rather calls them spiritual initiations ( MP : 61). Unna By Phillip Gwynne Essay Example. Thus, Marco's attitude makes Central Park a frontier setting more than the description used in from Religious is Acceptable? Essay, the novel. However, Marco's life in the park still resembles life at the frontier in various aspects. Like life at the frontier, his experiences in Central Park are not only influenced by a specific understanding of individualism, but also by cooperation among people in the park and by a certain void of authority structures. In spite of his individualism, Marco still depends to a certain degree upon the help of others to survive, both physically and example, psychologically. A life completely isolated from society is not possible, even in the park. In Central Park Marco gets help that he does not get on internal is defined, the street. People give him money or invite him for Racism in Deadly by Phillip Gwynne example, a picnic lunch or a game of softball: Those were happy moments for me, and they helped to carry me through some of the darker stretches when my luck seemed to gary ridgway, have run out ( MP : 58).

The other people in the park also define the authority structure there. Even though Marco once encounters a policeman when he is searching for food in a garbage can, he is Racism in Deadly Unna able to escape further persecution by impersonating a student of Columbia University, doing research on an Urban Studies project (cf. MP : 60). The police and other authorities from the society outside the park do not have any power or influence within the park. Instead there is a lack of authority that makes the park a dangerous place. During his time there Marco experiences several dangerous moments but he is able to remain unscathed (cf. MP : 65). The greatest threats for Marco however, are not crime or official authorities. His greatest danger comes from the Physical Responses and Famine Sahel, unpredictable weather. The weather, or rather an outpour of rain Marco had not foreseen, reinforces his position as a social outcast and finally ends his frontier experience in Central Park.

After being soaked by the rain, Marco's appearance starts to worsen. He cuts off his hair after drying it of the Racism Unna by Phillip Essay, rainwater because he can no longer control its wild look. Without the long hair the thinness of his face becomes recognizable: It accentuated my thinness to nonviolent direct action, an appalling degree. My ears stuck out, my Adams apple bulged, my head seemed no bigger than a childs ( MP : 67). With his body diminishing, Marco physically disappears out of society. His exclusion is by Phillip Gwynne further marked by the smell of his clothing as it starts to dry: Unfortunately, once my clothes began to dry in earnest, they also began to smell. [. ] This had never happened before and it shocked me to realize that such a noxious odor could be coming from my person ( MP : 68). Marco eventually even has to leave a library because of this smell. In this context the library can be read as a representation of internal is defined as civilization's intellectual achievement, and thus, his expulsion from the library is symbolic of his expulsion from this spiritual side of society.

But even the 'safety valve' of his Urban Frontier is not able to in Deadly by Phillip Gwynne example, save Marco now. Unlike the original frontier of the American West, the Urban Frontier is only artificial and does not have the same regenerating forces that the real wilderness has. Consequently, the nonviolent definition, rebirth Marco expected upon first entering the park cannot really take place. Marco retreats into a cave that was formed naturally in Central Park. In his feverish delirium he transforms the Urban Frontier setting into an original historic frontier: His mental journey leads him to the historic frontier of Manhattan Island before it was corrupted by Racism Unna by Phillip Gwynne example, white civilization and society. Responses And Famine Versus African. It is a prelapsarian state, the same state the frontier of by Phillip Gwynne Essay example Blakelocks Moonlight is in, and one similar to the frontier Effing experiences (cf. Klepper 1996: 293).

Marco is rescued right in the middle of this prelapsarian vision, but he is not regenerated by his experiences at the Urban Frontier. It is only at the end of the novel when he reaches the Pacific Ocean that regeneration is possible for him. 4 Regeneration through Creativity. force at their frontier, thus it can be assumed that the internal is defined, different frontier settings have different regenerating powers. At the Racism by Phillip Gwynne Essay, end of the novel, when Marco stands at the Pacific shore after he walked several hundred miles from Lake Powell to California, he comes to the conclusion: This is where I start, I said to myself, this is where my life begins ( MP : 306). Yet after his frontier experience in Central Park, he still feels a need to purify myself, to repent for all my excesses of self-involvement ( MP : 73) and soon begins to resemble the person I had once been ( MP : 82). An important question one needs to ask in order to multi model of memory evaluation, understand Moon Palace and its representations of the frontier is why there is a difference in the regenerating forces of the frontier settings. After being left behind in the desert of Uthah by Scoresby, Effing's only bond to Racism in Deadly by Phillip Essay example, civilization and society is his companion Byrne, who lies dying. As. He is convinced that he cannot return to civilization without Byrne. Racism In Deadly Unna By Phillip Gwynne Example. And so he clings to nursing him as his only connection to the world: Once Byrne was gone, there would be nothing to think about anymore, and I was afraid of How Much from Religious Doctrine is Acceptable? Essay that emptiness, it scared me half to death ( MP : 161). And indeed, after Byrnes death Effing's former self, Julian Barber, was obliterated and simply canceled himself out ( MP : 165).

This scene is a key passage in the novel, it is the first instance in which a character goes through a complete transformation. This is marked in the narrative style by Marco taking over the role of the narrator again. Effing's story is now told from Marco's perspective in the third person, after the first part had been narrated in first person from Effing's perspective. With Byrnes death and in his struggles after it, Effing loses everything, not only his last bond to civilization and society but also all his belongings. He breaks up his easel to bandage Byrnes broken arm and leg, his horse dies and he gradually uses all his food supplies. Only when he is prepared to really die, not only in his identity as Julian Barber, but physically and totally, does he find the hermits cave. It is stocked with ample supplies and Racism Unna by Phillip Gwynne Essay, secures his survival. Here the regeneration process slowly sets in, he feels reborn: Thus, only in the desert of the frontier, where he loses all connections to his old self and to civilization as such, a rebirth - or rather regeneration - is made possible. This regeneration however only truly sets in a little later when he starts to paint again.

After a few random sketches in a notebook he experiences a creative outburst, using up all his painting supplies and painting on ridgway 2013, every surface he finds after there are no more canvases left. It is in Racism Essay, this creative act that he is finally regenerated: It was an gary extraordinary reprieve, he said, and for the next three weeks he felt as though he had been reborn ( MP : 171). In this creative act Effing, who already has abandoned all his ties to civilization, also rids himself of Racism Unna Gwynne example artistic conventions and paints for the mere sake of creativity: An important aspect for him also is the fact that no one would ever see his paintings. His creative act thus is not an attempt to employment division 1990, gain material or social advantages; it is uncorrupted by Racism in Deadly by Phillip Gwynne example, any conventional social standards. Thus in Moon Palace, I would argue, there are several prerequisites for Responses and Famine versus the West African, the regeneration process. These are effectively only fulfilled in the description of the frontier of the American West, which all protagonists encounter at one point in the novel. Before the regeneration sets in, the characters lose all their ties to society, their families and to civilization as such and Unna Gwynne example, they also lose all their belongings and prospects.

In this instance of total independence and liberty a surge of creativity can be set free that then signifies the actual regenerating process. Marco is not able to experience this regeneration through a creative act in internal as, Central Park because within the urban setting this independence is not possible. Unlike Effing, who finds refuge and provisions in his cave, Marco always has to in Deadly example, take care of practical concerns (looking for gary ridgway, a place to sleep at night, taking care of my stomach) ( MP : 62). For these concerns Marco needs to use all his creative energy so he has no resources left that could support his regeneration: Occasionally, I jotted down some of these observations in my notebook, but for the most part I felt no inclination to write, not wanting to Racism in Deadly Unna by Phillip example, remove myself from my surroundings in any serious way ( MP : 63). Even after his experiences in the park he is not capable of any creativity. To earn money he translates a report from French into nonviolent action definition English.

Again he is Racism example not as independent as Effing is in Utah, his aim is to earn money in order to reimburse his friend Zimmer. Thus he only can regard the report as dead language ( MP : 91). Similarly, his job for Physical Responses in Warsaw the West, Effing, as he writes the obituary, only seems like a creative act. He only reproduces Effing's words. In Central Park and in the city no rebirth or regeneration can take place because in the urban setting Marco is not free of social or financial restraints. Marc Chénetier thus talks about Effing's cave as womb, a fetal environment that enables his rebirth (Chénetier 1996: 61).

On the other hand Dennis Barone calls Marco's apartment, which at first sight seems to resemble Effing's cave so much, a tomb (Barone 1995: 17). The absolute lack of productivity in the urban setting is also symbolized by Kittys abortion. The love between Marco and Kitty remains unproductive (cf. Racism Unna Essay Example. MP : 279ff). In contrast, Effing fathers a child the night before he takes to the frontier (cf. Multi Store Of Memory. MP : 152). Racism In Deadly By Phillip Gwynne. Thus Steven Weisenburger notes that as long as Marco is in multi of memory evaluation, the city the genealogy that is steadily unfolding in in Deadly Unna by Phillip Gwynne Essay example, the novel cannot be continued (cf. Weissenburger 1994: 73).

The reason for the impossibility for independence and for the unproductivity of the city is the influence of money and capitalism. In the urban setting one always depends on money to internal is defined as, survive. So the by Phillip Gwynne Essay, creative act always is corrupted by capitalism because all creativity needs to be used to division v smith 1990, earn a living. The reign of Racism Gwynne example capitalism is strong enough to division v smith 1990, drain the wilderness landscape of Central Park of its regenerating power. This reading of the Urban Frontier setting goes along with Auster's assessment of Racism Unna by Phillip Essay example capitalism and How Much Religious is Acceptable? Essay, money-making in in Deadly example, his autobiographical account Hand to v smith, Mouth : The negative influence of money on the creative act can be observed in Racism in Deadly Unna by Phillip Gwynne, Moon Palace whenever money is gained or lost. Effing's creative excess ends as soon as he finds the money of the Gresham brothers: As Effing put it to me, it was precisely at that moment that everything changed for him again, that his life suddenly veered in a new direction ( MP : 181). He returns to Responses and Famine in Warsaw Ghetto versus the West African Sahel, civilization and never paints again. Or as Carsten Springer notes: With his creation of a new identity as Thomas Effing, this character closes his personal frontier and Racism example, domesticates his moral wilderness (Springer 2001: 143). However, his imagination and internal validity is defined as, creativity return when he and Marco symbolically give the money back to society by handing out fifty-dollar bills to total strangers.

They meet a man with a broken umbrella who pretends that it is raining and that his umbrella protects him from the rain. Essay. Effing not only plays along, he also takes out gary ridgway this umbrella some days later in a real rainstorm, pretending that he is Racism in Deadly by Phillip sheltered from the rain. Gary Ridgway 2013. This is the last night of their task to return the money he has taken from the Gresham brothers and the incident with the by Phillip Gwynne Essay, umbrella shows clearly, how Effing's imagination and creativity have returned (cf. MP : 212f). Similarly, Marco's regeneration only takes place after he loses all his belongings in the West. After Barber dies, Marco inherits the money Barber himself has inherited from Effing. He has the money in the trunk of his car, which is stolen at Lake Powell when Marco realizes that his quest for Effing's cave has failed. He then walks all the multi store model of memory evaluation, way to the Pacific coast, where he finally feels regenerated.

Again this regeneration is only possible in Racism in Deadly Unna Gwynne Essay example, the American West, after Marco lost all his ties to society, his father, his grandfather and his lover, and ridgway, after he lost all his money. The creative act that enables the Racism Unna Gwynne, regeneration, then, is of course the narrative of Moon Palace itself, which is a first-person account of Marco's life. Marco's regeneration at the shore of the Pacific makes Moon Palace one of the multi store of memory, very few novels by Paul Auster that have a positive ending: In Moon Palace, unlike the prior novels where words fall apart, Fogg eventually is able to put them back together again (Barone 1995: 18f; original emphasis). 4. His father, Solomon Barber, cannot be regenerated, even in Racism in Deadly Unna Essay, the Midwest.

He has still his family ties, as personified by Marco, his son. Significantly his worst failure or rather fall takes place at the grave of his former lover and gary ridgway 2013, Marco's mother, at the precise moment when he reveals to Marco their family relation. Racism In Deadly By Phillip Gwynne Essay. Also, when he falls, Barber still holds on to the money he inherited from Effing and so he is division v smith not free of the material constraints, either. Already in Racism in Deadly by Phillip Gwynne example, an earlier episode Auster shows how money and capitalism oppose the idea of the regenerating frontier. It has been shown that Marco's reading of his uncles books resembles the exploration of an imaginary landscape or frontier. However, when Marco tries to sell these books, they are just treated like any other commodity, without any consideration for the emotional and symbolic meaning they have for Marco: Like the Course of Empire , Auster's Moon Palace seems to suggest a cyclic understanding of history.

If the characters manage to return to from Religious Essay, a prelapsarian state, to Effing's mythic frontier, they can undo the Unna Essay, damage civilization has imposed on their person. This is store model of memory evaluation just the Gwynne, attempt made by many of Auster's other characters, by nonviolent direct action, Stillman Sr. and by Daniel Quinn in City of Glass and by Hans Sachs in Racism in Deadly by Phillip, Leviathan for division v smith, example. As Martin Klepper puts it, many times this search for the prelapsarian state is a linguistic search, a search for Racism in Deadly Unna by Phillip Essay example, a prelapsarian speech (cf. Klepper 1996: 252). Stillman, Quinn and Sachs fail in their quest, in Moon Palace , however, some of the characters actually succeed.

Addy, Andrew (1996): Narrating the Self: Story-Telling as Personal Myth-Making in direct, Paul Austers Moon Palace . in: Q.W.E.R.T.Y.: Arts, Litteratures ans Civilisations du Monde Anglophone . 6, 153–161. Auster, Paul (1997): Hand to Mouth: A Chronicle of Early Failure . Racism In Deadly Gwynne Essay. New York: Henry Holt. Auster, Paul (1989): Moon Palace . New York: Penguin. Barone, Dennis (1995): Introduction: Paul Auster and the Postmodern American Novel. In: Dennis Barone (Hg.): Beyond the Red Notebook: Essays on Paul Auster . Philadelphia, Penn: U. of Pennsylvania Press, 1–26. Bawer, Bruce (1989): Doubles and More Doubles. In: The New Criterion 7, 67–74. Belton, John (1994): American Cinema / American Culture . New York et al.: McGraw. Berkemeier, Christian (2002): Schlafes Bruder: Assoziationen zu Text, Tod und (T)raum in Austers Moon Palace , Timbuktu und Lulu on the Bridge . In: Lienkamp, Wolfgang et al. (Hg.): As Strange as the World : Annäherungen an das Werk des Erzählers und Filmemachers Paul Auster . Münster: LIT.

Birkerts, Sven (1992): American Energies: Essays on Fiction . New York: William Morrow. Chénetier, Marc (1996): Paul Auster as the Wizard of Odds: Moon Palace. Paris: Didier Érudition. Dow, William (1996): Never Being This Far From Home: Paul Auster and Picturing Moonlight Spaces. Q.W.E.R.T.Y. : Arts, Litteratures ans Civilisations du Monde Anglophone . 6, 193–198. Flexner, James Thomas (1962): That Wilder Image: The Paintings of Americas Native Schhool from Physical Responses to Starvation in Warsaw versus African, Thomas Cole to Winslow Homer . Boston, Toronto: Little, Brown and Co. Herzogenrath, Bernd (1999): An Art of Desire: Reading Paul Auster . Postmodern Studies 21.

Amsterdam, Atlanta: Rodopi. Ickstadt, Heinz (1998): Der amerikanische Roman im 20. Jahrhundert. Transformation des Mimetischen. Darmstadt: Wissenschaftliche Buchgesellschaft. Klepper, Martin (1996): Pynchon, Auster, DeLillo: Die amerikanische Postmoderne zwischen Spiel und Rekonstruktion . Frankfurt, New York: Campus Verlag. Slotkin, Richard (1973): Regeneration through Violence. The Mythology of the American Frontier, 1600-1860 . Middletown, Conn.: Weslyan UP. Springer, Carsten (2001): Crises: The Works of Paul Auster . Racism Essay. American Culture 1. Physical And Behavioral Responses And Famine Ghetto Versus The West Sahel. New York et al.: Peter Lang.

Wade, Richard C. (1967, 1959): The Urban Frontier. The Rise of Western Cities, 1790-1830 . Harvard Historical Monographs 41. Cambridge: Harvard UP. Weisenburger, Steven (1994): Inside Moon Palace . In: Barone, Dennis (Hg.): The Review of Racism in Deadly Unna by Phillip Essay example Contemporary Fiction 14.1, 70–79. Yaeger, Bert D (1996): The Hudson River School: American Landscape Artists. New York: Todtri. 2 These legendary qualities of Effings accounts are further shown by his paraplegia. When Effing is introduced in one of Austers manuscripts of an earlier draft of the novel, Auster noted on the margin: legend = leg|end.

Farfetched as this connection might otherwise seem, it should be taken seriously as Auster himself points it out in his manuscript. And Behavioral In Warsaw The West Sahel. These manuscripts can be consulted in the Berg-Collection of the New York Public Library. 3 This quotation can also be read as a poetological statement Auster makes on Racism Unna example, the structure of his novel. He uses elements of the picaresque novel, but changes them and multi store model evaluation, thus reinvents the genre (cf. Herzogenrath 120).

He is unteaching himself the rules he has learned to find a new form. Carsten Springer however rightly argues that the widespread assumption that all of Austers work have to be seen as deconstruction of a genre [. ] fails to account for in Deadly Unna Gwynne Essay example, the characteristics of the multi evaluation, texts written before and Racism in Deadly by Phillip Gwynne example, after the [ New York] Trilogy . (Springer 8; original emphasis) 4 Barone includes in this statement Auster's novel In the Country of Last Things , which had been published one year before Moon Palace . The novel, however, has an open ending and I would argue that there are certain indications that suggest the same dichotomy between an unproductive urban frontier and 1990, a regenerating natural frontier. The novel ends the night before the Unna by Phillip Gwynne, protagonist, Anna Blume, leaves the store model of memory evaluation, city westwards and the book is written in first person, suggesting a similar regeneration through creativity for Racism Gwynne Essay example, Anna Blume.

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essayists pen Der Londoner Kongress des Internationalen Verbandes der Schriftsteller PEN (Poets, Essayists, Novelists) im September 1941[1] Von Helmut Peitsch. Vom 10. bis 13. By Phillip Essay Example? September 1941 fand in of memory, London der XVII. Example? Kongress des Internationalen PEN statt.

In London war die Schriftstellerorganisation, die sich fur Volkerverstandigung, Frieden und die Freiheit der Literatur und Kultur einsetzte, im Jahr 1921 gegrundet worden. V Smith 1990? Zunachst lag der Schwerpunkt der internationalen Schriftstellervereinigung auf Europa – 1925 zahlte sie dort 25 nationale Zentren. By Phillip Gwynne? Danach expandierte sie in ridgway, die ganze Welt und umfasste im Jahr 1939 sowohl Zentren in Nord- und Sudamerika, als auch in by Phillip Gwynne Essay, Agypten, Palastina, dem Irak, Indien, Japan und Neuseeland. Ursprunglich hatte der XVII. Validity As? Kongress vom 3. Racism By Phillip Example? bis 7. Multi Model Of Memory Evaluation? September 1939 in Racism, Stockholm stattfinden sollen, wohin die meisten Delegierten angereist waren. How Much Is Acceptable?? Er war dann aber wegen des Kriegsausbruchs abgesagt worden. Als deutsche Redner waren damals Thomas Mann und Gerhart Hauptmann vorgesehen gewesen. In Deadly Unna Essay Example? Thomas Mann lebte bereits im Exil, Hauptmann dagegen war im nationalsozialistischen Deutschland geblieben, wo das nationale PEN-Zentrum nach dem Austritt Deutschlands aus dem Volkerbund ein Bekenntnis zu Hitler abgelegt, am 8. 1990? November 1933 den Austritt aus dem Internationalen PEN erklart, und sich in Union Nationaler Schriftsteller umbenannt hatte. Unna By Phillip? Die daraufhin vom Internationalen PEN-Club, insbesondere seinem Generalsekretar Hermon Ould zusammen mit Rudolf Olden initiierte German Group von Autoren, die aus unterschiedlichen Grunden Deutschland verlassen hatten[2], hatte 1939 uber achtzig Mitglieder. Gary? Prasident war Heinrich Mann, Generalsekretar der im Londoner Exil lebende Rudolf Olden.

Zusammen mit den Mitgrundern Lion Feuchtwanger, Max Herrmann-Nei?e und Ernst Toller erhoben sie den Anspruch, die freie deutsche Literatur zu reprasentieren und die Redner fur die internationalen Kongresse auszuwahlen. Die kurzfristige Einberufung des XVII. In Deadly By Phillip Gwynne Example? Kongresses durch den Internationalen PEN in das London des Bombenkriegs fur September 1941 hatte innerorganisatorische Grunde, die allerdings mit der Ausweitung des Kriegs in multi model of memory, diesem „welthistorischsten Jahr“[3] zusammenhingen. Racism In Deadly Essay Example? Sie erfolgte vor dem deutschen Angriff auf die Sowjetunion (22. Juni), dem britisch-sowjetischen Bundnis (12. Employment 1990? Juli), dem US-amerikanischen Angebot der Lieferung von Kriegsmaterial (30. In Deadly Unna By Phillip Gwynne Essay? Juli) und der britisch-US-amerikanischen Verabschiedung der Atlantik-Charta (14. Internal Validity As? August). Racism Gwynne Example? Auf diese Ereignisse – im Unterschied zu spateren im selben Jahr wie dem sowjetischen Abkommen mit der polnischen Exilregierung (4.

Dezember) und dem auf Pearl Harbour (7. Internal Is Defined? Dezember) folgenden Kriegseintritt der USA – bezogen sich im September einzelne Redner des Londoner Kongresses, aber alle nahmen, wie der Generalsekretar des Internationalen PEN in seiner Publikation einer Auswahl der Beitrage betonte,[4] Stellung zu der Frage, welche Alternative der drohenden Verwirklichung der deutsch-italienisch-japanischen ‚Neuordnung‘ der Welt entgegenzusetzen sei. Racism In Deadly Essay Example? Indem sie uber Europa und die Welt nach dem Krieg diskutierten, brachten sie unterschiedliche Auffassungen uber die Rolle der Literatur und des Autors zum Ausdruck. Mit der Einberufung des Kongresses fur September 1941 im Mai desselben Jahres reagierte der Internationale PEN-Club auf die Grundung eines European PEN in Physical and Famine in Warsaw Ghetto the West African, America am 15. In Deadly Unna By Phillip Gwynne? Mai 1941 in direct action, New York.

Diese war vom Dramatiker Ferdinand Bruckner angesto?en worden, der dafur die Unterstutzung des nach New York ubergesiedelten Prasidenten des Internationalen PEN Jules Romains gewonnen hatte. Racism Unna Gwynne? Bruckner war Vizeprasident der 1940 gegrundeten German-American Writers Association (GAWA), in die sich der Pariser Schutzverband Deutscher Schriftsteller (SDS) in nonviolent direct action definition, New York transformiert hatte und die korporatives Mitglied des US-PEN geworden war.[5] Die GAWA zahlte damals 183 Mitglieder, von denen die meisten in Racism in Deadly by Phillip Gwynne Essay, New York lebten. Bruckner stellte sich mit seiner Sammlungspolitik gegen die von Rudolf Oldens vertretene Abgrenzungspolitik gegenuber dem SDS, die der kommunistisch dominierten Bundnisorganisation Internationale Schriftstellervereinigung zur Verteidigung der Kultur (ISVK) angehorte. How Much Doctrine Essay? Olden hatte vor seinem Tod auf der Uberfahrt nach New York das dortige deutsche literarische Exil als „a stronghold of Racism in Deadly Unna by Phillip Gwynne Essay, communists and as, ,keep out‘ defeatists”[6] eingeschatzt. Der Generalsekretar des Internationalen PEN-Club Hermon Ould protestierte in in Deadly Essay example, seinem Schreiben vom 20. Mai 1941 an employment division Jules Romains nicht nur gegen die New Yorker Neugrundung, sondern kundigte auch – wenngleich nicht offen – die Reaktivierung der Deutschen Gruppe an, deren Tatigkeit mit dem Tod des Generalsekretars erloschen war. By Phillip Example? Er unterstellte, dass diese bereits erfolgt sei, um die Legitimitat der von Romains und Bruckner etablierten Konkurrenzorganisation zu bestreiten: „If there must be a ,European P.E.N.‘ so-called (and we do not, as a matter of Deviation Religious Doctrine is Acceptable?, fact, see any reason for in Deadly Unna by Phillip Essay example this new classification), so its seat must be in validity, England, which remains free and Racism Unna by Phillip example, is, after all, Europe.“[7] Ould wies nicht nur einen US-amerikanischen Fuhrungsanspruch zuruck, sondern meldete zugleich – im Namen des Internationalen Exekutivkomitees mit Sitz in Physical and Behavioral Responses to Starvation Ghetto the West African, London – den eigenen Anspruch an: England sollte das freie literarische Europa reprasentieren.

Kategorisch ausgeschlossen wurde die Reprasentation der deutschen Literatur (und der Literaturen der von den Nazis eroberten Lander) durch Zentren au?erhalb Londons. In Deadly Unna Essay? Die Bezeichnung „German Group“ sollte durch „German (anti-Nazi) Group“ ersetzt werden. Zur ersten Mitgliederversammlung der als ‚anti-Nazi‘ reaktivierten German Group kam es erst am 4. Physical Responses To Starvation And Famine In Warsaw Ghetto Versus The West African? September 1942. Unna Gwynne? Der vom Internationalen PEN anstelle von Heinrich Mann eingesetzte Prasident Alfred Kerr schrieb dazu einem Mitglied: „Es galt fur uns nur ein festeres Angliedern des winzigen deutschen Beiwagelchens an gary die Mutterkutsche.“[8] In bezeichnend diplomatischer Form – als scheinbares Zitat aus einer US-amerikanischen Zeitschrift – dokumentierte zur selben Zeit eine Meldung in Racism in Deadly Gwynne Essay example, der in 2013, Moskau erscheinenden, der ISVK verbundenen Internationalen Literatur , dass die kommunistischen Literaturpolitiker die alleinige Legitimitat des Londoner PEN anerkannten: „Wie die amerikanische Zeitschrift ,Saturday Review of Racism Unna by Phillip Essay example, Literature‘ mitteilte, ist die Haupttatigkeit des Pen-Klubs jetzt in internal validity as, London konzentriert.“[9] Wahrend Oulds Protestbrief vom Mai 1941 bereits sieben der zehn in Racism by Phillip Gwynne example, London vertretenen Zentren fur besetzte oder mit Nazi-Deutschland verbundete Lander nannte, deren Reprasentanten auf dem Kongress im September sprechen wurden (hinzu kamen Spanien, Frankreich und Ungarn), schwieg er uber die au?ereuropaischen Vertretungen aus Indien, China, Kanada und Palastina. Multi Store Model? Ebenso verfuhr er mit Autoren, die Romains als Internationalen Prasidenten absetzen wollten, gegen dessen „political perambulations“ die Prasidentin des englischen Zentrums, Margaret Storm Jameson, in einer Luncheon-Rede vor Vertretern von zwanzig Zentren am 15. In Deadly Unna Essay? Juli 1941 bekraftigt hatte: „Here we are and employment division v smith, here we intend to Racism by Phillip Gwynne example, remain, Europe in action, England and England in Racism in Deadly Unna, Europe.“[10] Viele der Redner waren mit in How Much Deviation is Acceptable? Essay, London tatigen Exilregierungen verbunden, so Andre Labarthe als Herausgeber von La France Libre oder Tymon Terlecki als Herausgeber von Polska Walczaca , dem offiziellen Organ der Polish Armed Forces in the West. Racism In Deadly Unna Essay? Andere Redner waren in Deviation Essay, London in Racism in Deadly by Phillip Gwynne Essay example, politischen Organisationen tatig. Gary Ridgway? So auch Robert Neumann[11], dessen Rede „When a Writer Goes into in Deadly Unna by Phillip Gwynne Essay example, Politics“[12] Romains‘ Sturz begrundete, und der als Organisator – in Physical and Behavioral to Starvation versus African, Zusammenarbeit mit dem Foreign Office – des Free Austrian Movement fungierte. Racism Unna By Phillip Gwynne? Fur britische zivile oder militarische Dienststellen arbeiteten Arthur Koestler, der – als Ungar eingefuhrt – in model, der Uniform des Pioneer Corps auftrat[13], fur das Ministry of Information (seit 1939) Peter de Mendelssohn[14] und fur die BBC der Inder Mulk Raj Anand ebenso wie Erika Mann.

In seinem Nachwort zu der als Buch veroffentlichten Dokumentation des Kongresses hob Ould diese Mitwirkung an Unna by Phillip Gwynne Essay dem britischen „war effort“[15] und den Wechsel zum Englischen hervor; mit Koestler, Mendelssohn und Neumann nannte er die erfolgreichsten unter den nach Gro?britannien Geflohenen, die englisch zu schreiben begonnen hatten. Employment Division V Smith 1990? Ould erwahnte auch die Meinungsverschiedenheiten auf dem Kongress am Beispiel der deutschsprachigen Delegierten, die „apparently irreconcilable“ wie „fundamentally opposed opinions“[16] uber die Umerziehung der Deutschen nach dem Krieg von Alfred Kerr, Erika Mann und Robert Neumann auf der einen, Wilhelm Wolfgang Schutz, dem London-Korrespondenten der Neuen Zurcher Zeitung auf der anderen Seite. Racism In Deadly Essay? Erika Mann erklarte die Schriftsteller zwar nicht fur zustandig fur „die nach dem Krieg auf uns zukommenden gro?en politischen und wirtschaftlichen Probleme“, aber fur „das Problem der Erziehung in How Much Deviation Religious Doctrine is Acceptable?, Europa und vor allem der Umerziehung in Racism by Phillip Gwynne example, Deutschland”[17]: „unsere Aufgabe” als Schriftsteller sei es, „die Deutschen” „von […] Wunschen”, „einen weiteren Krieg vorzubereiten”, zu „befreien”.[18] Der Literatur stellte sie die Aufgabe der Umerziehung durch „Bucher”, die „die deutsche Erziehung vollig neu [. Multi Store Evaluation? ] gestalten”[19], denn „schon seit Generationen sind sie in in Deadly Unna example, hohem Ma?e falsch erzogen worden; ihr Verstand ist vergiftet, sie sind geistig krank.”[20] Aber die Deutschen seien nicht „unheilbar”.[21] Der exilierte tschechoslowakische Prasident Eduard Benes hatte in Physical Responses and Famine Ghetto versus African, seiner Gru?botschaft an Racism Gwynne example den Kongress die Erwartung geau?ert, dass die Literatur und die Welt nach dem Krieg das wichtigste Thema des Kongresses seien, und betont, „that literature […] must play an nonviolent direct influential part in the reconstruction of the Racism, world after the multi store, war, that ‚The Writers‘ Part in in Deadly Unna by Phillip Gwynne, Social Reconstruction‘ […] must be a great and Doctrine is Acceptable? Essay, responsible one.“[22] Heftig umstritten war die Au?erung des tschechoslowakischen Vertreters Frantisek Langer, dass der Internationale PEN-Clubs seit dem Kongress von 1933 in Racism by Phillip Gwynne, Ragusa/Dubrovnik eine offene politische und antifaschistische Haltung eingenommen habe.[23] Als Zeitverschwendung lehnte E. Nonviolent Direct Action Definition? M. Forster jedes Reden uber eine Neuordnung ab, weil Ordnung nur mystisch in by Phillip Gwynne example, Gott und in 2013, der ‚inneren Harmonie‘[24] des Kunstwerks zu erfahren sei. Unna By Phillip Essay? Als au?erhalb des Zustandigkeitsbereichs des Schriftstellers wies J. B. Physical And Behavioral Responses To Starvation And Famine In Warsaw The West Sahel? Priestley die Aufgabe zuruck, die Storm Jameson den britischen Autoren in Racism in Deadly Gwynne Essay, der Selbsterneuerung der westlichen Kultur nach dem Krieg stellte, namlich die Englander von ihrer Verantwortung gegenuber Europa zu uberzeugen[25]; fur solche Ratschlage oder gar Fuhrungsaufgaben seien Schriftsteller nicht zustandig.[26] Als Vernachlassigung dessen, was ein Schriftsteller sei[27], konterte Rebecca West Koestlers Kritik am Elfenbeinturm; sie verteidigte deshalb Jules Romains, gegen den Neumann eine ‚Hexenjagd‘ eroffnet habe.[28] Der exilierte spanische Autor Salvador de Madariaga erinnerte im Anschluss an Koestlers Kritik an ridgway 2013 E. Gwynne Example? M. Is Defined As? Forsters Verteidigung der ‚Kunst um der Kunst willen‘, dass man als Autor immer in by Phillip Gwynne, einem Elfenbeinturm arbeite, aber nicht in v smith, diesem lebe.[29] Als uberzeugter Atlantiker au?erte er die Meinung, dass Europa nach dem Weltkrieg entweder von Gro?britannien und den USA neu geschaffen werde oder in in Deadly by Phillip, einem weiteren Krieg versinke.[30] Gegen Erika Manns Vorstellung, dass die Umerziehung der Deutschen nach der nationalsozialistischen Herrschaft und dem von Deutschland ausgegangenen Krieg durch das Ausland getragen werden musse, betonte Madariaga in Uberstimmung mit Wilhelm Wolfgang Schutz, dass die europaische Tradition einer gemeinsamen Kultur in Deutschland immer noch existiere[31], weil der Geist das einzige Reich des Lebens sei, an internal validity is defined as dem die Macht des Nazi-Systems ende.[32] Diese sehr starken positiven Elemente Europas[33] setzte Madariaga von negativen ab. Dem norwegischen Vertreter Wilhelm Keilhau warf er vor, dass dieser mit seiner Aussage, „making ‚Europe‘ a political unit is in Deadly Unna Gwynne Essay, to-day a main programme of the How Much Deviation from Religious Doctrine is Acceptable? Essay, Nazis“, Europa bedeute die funfte Weltmacht mit Deutschland als ihrem zentralen Imperium, die europaische Idee verrate.[34] Daraus leitete Keilhau den Vorschlag ab, uberhaupt die Vorstellung von Europa als unrealistisch und sogar gefahrlich aufzugeben[35] und stattdessen als wahre Weltburger an in Deadly by Phillip Essay das Friedensproblem heranzugehen.[36] Seine Auffassung einer neuen Achse Washington-London-Moskau-Tschungking als Grundlage des Umbaus der Welt[37] nach dem Krieg stie? indes auf den Widerspruch derjenigen, die in internal, ihren Redebeitragen Kosmopolitismus und Internationalismus als billig oder oberflachlich bezeichneten.[38] Der franzosische Vertreter Labarthe betont in Unna by Phillip example, Ubereinstimmung mit anderen Rednern, dass das Ende von Hitlers imperialistischem Traum nicht die Wiedergeburt eines destruktiven Nationalismus bedeuten musse; denn Nationalismus behindere an employment division und fur sich die Befriedung Europas nicht. In Deadly Unna By Phillip Gwynne Essay Example? Labarthe erteilte zugleich der Vorstellung einer auf dem gemeinsamen Leiden der Volker und Menschen aufbauenden europaischen Einheit eine Absage, indem er zwischen ‚Opfer-‘ und ‚Tater-Landern‘ unterschied: Rekonstruktionsplane fur Europa mussten den Gefuhlen der Opfer-Lander entsprechen, wenn gelten solle, dass man nie wieder eine solche Katastrophe uber die Welt hereinbrechen lassen durfe.[39] Eine andere Grenze zog der katalonische Vertreter J. Nonviolent Definition? M. Racism? Batista i Roca, als er Nationalismus und Internationalismus fur keineswegs unvereinbar erklarte: Er unterschied zwei Ideologien, namlich den ‚freien Geist‘, fur den Europa eine kulturelle und spirituelle Einheit bilde, und die ‚totalitare Neuordnung‘, die die kulturell-geistigen Verbindungen zerbreche. Multi? Um jedes Land als eine Facette eines Edelsteins zu begreifen, forderte Roca, dass das neue Konzept von Nationalismus die Vaterlandsliebe um das Interesse an allen anderen Landern erganzen musse.[40] Das Bild von der Literatur als Brucke wurde nur vereinzelt angesprochen. Unna By Phillip? Der zum englischen Schriftsteller gewordene Peter de Mendelssohn hielt die Bucher der aus Deutschland geflohenen Autoren, die nach dem Krieg nach Deutschland zuruckkehren wollten, fur genauso notwendig und unersetzlich, wie die Bucher der Autoren, die nicht mehr dahin gehen wollten; jedes Buch werde auf seine Weise eine Niete in Deviation from Essay, der gro?en Brucke sein, die errichtet werden musse, um die Kontinente und ihre Volker wieder zu verbinden.[41] Was fur Literatur in in Deadly by Phillip Essay, Maidanek geschrieben werde, fragte hingegen der britische Autor judischer Herkunft Joseph Leftwich[42], und der polnische Vertreter Tymon Terlecki wies in ridgway 2013, seinem Uberblick uber deutsche Unterdruckung in Racism in Deadly Gwynne, Polen als Teil eines Kriegs um Weltherrschaft auf Schriftsteller in Physical Responses and Famine in Warsaw Ghetto, Auschwitz hin.[43] Leftwich brachte eine Resolution zur judischen nationalen Heimstatt in by Phillip Gwynne Essay, Palastina ein, zu deren Begrundung der Vertreter des PEN-Zentrums in direct definition, Palastina an Racism in Deadly by Phillip Gwynne Essay example eine Tradition appellierte, die zuvor nur der tschechoslowakische Delegierte Josef Kodicek gegen den Elfenbeinturm, den ‚extremen Formalismus moderner Kunst‘ und den Abgrund zwischen Schriftsteller und Volk[44] ins Spiel gebracht hatte: Die Welt und ihre Literatur brauchten mehr von dem Geist Zolas.[45]

Zeitlich parallel zur Reaktion des Internationalen PEN-Clubs auf die Initiative zu einem Europaischen PEN in Physical and Behavioral in Warsaw Ghetto versus the West Sahel, Amerika waren die Vorbereitungen zu einer nationalsozialistischen Gegenorganisation in dem von Deutschland beherrschten Europa gelaufen. Racism Unna Essay Example? Keine vierzehn Tage vor dem Uberfall auf die Sowjetunion, am 11. Juni 1941, schrieb der Geschaftsfuhrer der Reichskulturkammer im Auftrag von Minister Goebbels an internal validity as eine Reihe von Experten uber den Plan, „moglichst bald eine Gegenbewegung bzw. Unna Essay? eine Vereinigung gegen den PEN-Club einzuleiten und einzurichten, d.h. Gary Ridgway? zunachst auf europaischer Basis“.[46] Im Oktober 1941 grundete das Propagandaministerium die Europaische Schriftsteller-Vereinigung (ESV), zu deren erster Jahrestagung in Racism in Deadly Essay, Weimar Goebbels fur seine Rede notierte: „Der PEN-Klub wird von mir als ‚Penn‘-Klub gekennzeichnet, der nicht mehr das Recht habe, im Namen des intellektuellen Europa zu sprechen.“[47] Unter Beteiligung von auslandischen Autoren wie Robert Brasillach, Marcel Jouhandeau, John Knittel und Drieu la Rochelle wurde Hans Carossa zum Prasidenten gewahlt, der sich in ridgway 2013, seinem „Lebensbericht“ 1951 auf die „Geistesgegenwart“ seiner Erklarung bei der Annahme des Vorsitzes berief: „In Ihnen allen, meine Herren, lebt sicherlich so fest wie in Racism Unna Gwynne, mir selber der Glaube, da? eine Erneuerung des Abendlandes nur vom Geist und von der Seele her erfolgen kann.“[48] Welchen europaischen Geist Carossa reprasentieren sollte, hatte im Pressedienst Das neue Europa eine polemische Glosse zum Londoner PEN-Kongress deutlich gemacht, die in internal as, Vorbereitung des Europaischen Dichtertreffens in Racism in Deadly Unna Gwynne Essay example, Weimar erschienen war. Unter dem Titel „Pen-Klub ohne Auditorium“ hie? es dort, namentlich gegen Kerr und Erika Mann gewendet: „Die Emigranten mu?ten sich englisch oder hebraisch unterhalten [. Validity As? ], sie seien blind fur eine Erneuerung der Kultur aus arischem Geist, doch zum Gluck sei man sie in in Deadly by Phillip Essay example, Deutschland fur immer los.“[49] Die Kontroversen des PEN-Kongresses von 1941 uber Europa und die Rolle der Literatur fanden nach dem Sieg der Alliierten und unter den Bedingungen des bald darauf beginnenden Kalten Krieges ihre Fortsetzung in Responses and Famine versus Sahel, einer Serie von internationalen Konferenzen von Intellektuellen. In Deadly Gwynne Essay? 1946 unternahm Georg Lukacs bei dem ersten Europaischen Gesprach in direct action definition, Genf den Versuch, das Bundnis von 1941 als eines von Demokratie und Sozialismus wiederherzustellen.[50] Das scheiterte mit dem Ausschluss Russlands aus der abendlandischen Kultur, den Max Frisch aufgrund der Diskussionen des Weltkongresses der Intellektuellen fur den Frieden 1948 in Unna Essay example, Wroclaw konstatierte[51], oder mit der Erhebung Europas zur Schutzmacht nationaler Kulturen gegen die USA und die Sowjetunion, die Jean-Paul Sartre 1949 begrundete.[52] [1] Essay zur Quelle: Erika Mann: „Die Zukunft Deutschlands“ (1941). [2] Berthold, Werner; Eckert, Brita, Der deutsche PEN-Club im Exil 1933–1948.

Eine Ausstellung der Deutschen Bibliothek, Frankfurt am Main, Frankfurt am Main 1980, S. How Much From Religious Doctrine Is Acceptable? Essay? 37. [3] Berghahn, Volker, August 1941. The Atlantic Charter and Racism in Deadly Essay example, the Future of How Much Deviation Religious Doctrine Essay, Europe, in: Themenportal Europaische Geschichte (2008), URL: (13.10.2014). [4] Ould, Hermon (Hg.), Writers in Racism in Deadly Unna by Phillip Essay, Freedom. Gary 2013? A Symposium. Racism Unna By Phillip Gwynne Essay Example? Based on employment 1990 the XVII International Congress of the in Deadly Unna by Phillip Essay example, P.E.N. Club Held in store model evaluation, London in Racism by Phillip Essay, September, 1941. Store Of Memory Evaluation? London u.a. Racism In Deadly Gwynne? 1941, S. Action? 150.

[5] Berendsohn, Walter A., Die humanistische Front. Einfuhrung in die deutsche Emigranten-Literatur. Racism By Phillip Gwynne Example? Erster Teil: Von 1933 bis zum Kriegsausbruch 1939, Zurich 1946, S. Is Defined? 181. [6] Berthold, Werner, et al., So viele Bucher, so viele Verbote. In Deadly Unna By Phillip Gwynne Example? Reden zur Eroffnung der Ausstellung „Der deutsche PEN-Club im Exil 1933–1948“, Frankfurt am Main 1981, S. Deviation From Religious? 55. [7] Archiv der Akademie der Kunste Berlin (AdK), Bestand Bruckner, 764. [8] Brief von Alfred Kerr an Racism by Phillip Gwynne Essay example Kurt Hiller vom 2.5.1942, AdK, Bestand Kerr, H br D h pe. [9] Roha (d.i. V Smith? Heinz Willmann), Die Arbeit des Pen-Klubs, in: Internationale Literatur 12 (1942), H. Unna By Phillip Example? 5/6, S. Nonviolent Direct Definition? 127. [10] Stadler, Franz (Hg.), Robert Neumann.

Mit eigener Feder. Racism In Deadly Unna Gwynne Essay? Aufsatze. Physical And Behavioral Responses To Starvation Versus The West Sahel? Briefe. Racism By Phillip Gwynne Essay Example? Nachlassmaterialien, Innsbruck u.a. Physical And Behavioral Responses To Starvation And Famine In Warsaw Ghetto Versus African Sahel? 2013, S. Racism In Deadly? 162. [11] Wagener, Hans, Robert Neumann. Validity Is Defined As? Biographie, Munchen 2007, S. In Deadly By Phillip Gwynne Example? 91, 94. [12] Ould, Writers, S. Gary? 99–103. [13] Cesarani, David, Arthur Koestler. The Homeless Mind, London 1998, S. Gwynne Essay? 181.

[14] Pross, Harry, Mendelssohn, Peter de, in: Neue Deutsche Biographie 17 (1994), S. In Warsaw Ghetto African Sahel? 63–65, hier S. Gwynne Essay? 64. [15] Ould, Writers, S. Validity Is Defined As? 11. [17] Mann, Erika, Die Zukunft Deutschlands, in: dies., Blitze uberm Ozean. Racism In Deadly By Phillip Example? Aufsatze, Reden, Reportagen. V Smith? Herausgegeben von Irmela von der Luhe, Uwe Naumann, Reinbek 2000, S. In Deadly Unna Gwynne Essay Example? 229–233, hier S. 230. [22] Ould, Writers, S. How Much Deviation Is Acceptable?? 5. [46] Hausmann, Frank-Rutger, „Dichte, Dichter, tage nicht!” Die Europaische Schriftstellervereinigung in in Deadly by Phillip example, Weimar 1941–1948, Frankfurt am Main 2004, S. Internal Validity Is Defined? 29. [48] Carossa, Hans, Ungleiche Welten. Unna By Phillip? Lebensbericht, Frankfurt am Main 1978, S. Physical Responses To Starvation And Famine In Warsaw The West? 109. [49] Hier referiert nach Hausmann, Dichter, S. Racism In Deadly By Phillip Gwynne Essay Example? 52. [50] Lukacs, Georg, Aristokratische und demokratische Weltanschauung, in: Benseler, Frank (Hg.), Georg Lukacs: Revolutionares Denken, Darmstadt, Neuwied 1984, S. Nonviolent Direct? 197–223, hier S. Racism In Deadly By Phillip Essay? 219.

[51] Frisch, Max, Tagebuch 1946–1949, Frankfurt am Main 1950, S. Definition? 299–301. [52] Sartre, Jean-Paul, Verteidigung der franzosischen Kultur durch die europaische Kultur. Racism Unna Gwynne Essay Example? Vortrag am Centre d’Etudes de Politique etrangere vom 24. Doctrine Essay? April 1949, in: ders., Schwarze und wei?e Literatur. Racism In Deadly By Phillip? Aufsatze zur Literatur 1946–1960, Reinbek 1984, S. 2013? 92–111. Erika Mann: Die Zukunft Deutschlands (1941)[1] Rede auf dem Internationalen PEN-Kongre?. Es ist mir eine Ehre und wirklich eine gro?e Freude, bei Ihnen zu sein. Racism By Phillip Gwynne Essay? Nichts konnte angenehmer, ermutigender und bedeutender sein als dieses Zusammentreffen freier Geister in der Hauptstadt der Welt – ein Treffen von geistig tatigen Menschen, die alle fur die Demokratie kampfen. Employment? Ich werde dieses Bild vom XVII. Gwynne Essay Example? Internationalen P.E.N.-Kongre? mit mir nach Amerika nehmen, und wann immer die Krakeelerei von Mr.

Lindbergh und Mr. Physical And Behavioral Responses And Famine Ghetto Versus Sahel? Wheeler mich wahrend meiner nachsten Vortragsreise storen und behaupten, da? Hitler schlie?lich den Kontinent geeint habe und da? Deutschland Europa sei, werde ich an Racism Unna Gwynne Sie denken und sagen: «Wie kann Deutschland behaupten, Europa zu sein, wenn ich mit eigenen Augen gesehen habe, da? Europa in London ist?» Im Anschlu? an gary 2013 meine Vortrage und nach den Publikumsfragen warten immer ein paar Botenjungen hinter der Buhne auf mich und geben mir ein paar Briefe. Auf diesen Briefen steht meist «Personlich», «Dringend» oder «Wichtig»; einer mag mit «Ein wahrer Amerikaner» unterschrieben sein, ein anderer mit «Eine amerikanische Mutter», ein dritter mit «Ein christlicher Amerikaner» und ein vierter einfach mit «Heil Hitler! ».Sie alle pflegen in in Deadly Essay, schrecklichem Englisch geschrieben zu sein, das deutlich ihre Naziherkunft verrat, und sie versichern mir, da? die Geduld des Absenders erschopft sei, was mich anbetrifft, und da? bald ein gewaltsamer Tod meine kriminellen, verraterischen und kriegstreiberischen Aktivitaten beenden werde. Multi Model? Sie alle werden per Racism in Deadly Unna by Phillip Boten zugestellt, weil das moderne Gesetz verbietet, Menschenleben bedrohende Nachrichten mit der Post zu schicken. Nur, damit kann ich leben, weil ich entschlossen bin, niemals die Geduld zu verlieren, sondern mit meiner Aufklarungsarbeit weiter zumachen [sic] und gleichzeitig meine eigene Bildung langsam, aber sicher zu verbessern. Employment V Smith? Geduld, hei?t es, kommt vom Himmel, und solange sie mit einer kampferischen Tatigkeit einhergeht, stimme ich aus ganzem Herzen zu. Racism Unna Gwynne Essay? Denn kampferische Tatigkeit ist notwendig, und sie ist jetzt notwendig, im Erziehungsbereich mehr als anderswo, glaube ich, denn wahrend die nach dem Krieg auf uns zukommenden gro?en politischen und wirtschaftlichen Probleme von den Berufspolitikern gelost werden mussen und vor dem Ende des Krieges nicht in allen Details und offen erortert werden konnen, ist das Problem der Erziehung in internal validity as, Europa und vor allem der Umerziehung in Gwynne, Deutschland unsere Angelegenheit, und je eher wir uns damit befassen, desto besser ist es. Fast neun Jahre lang sind die Deutschen erzogen – in einem fast unglaublichen Grad falsch erzogen – worden, und schon seit Generationen sind sie in of memory evaluation, hohem Ma?e falsch erzogen worden; ihr Verstand ist vergiftet, sie sind geistig krank.

Bedeutet dies, da? sie unheilbar sind? Wenn sie es waren, hatten wir allen Grund zu verzweifeln, denn weder eine einseitige Entwaffnung noch die allgemeine wirtschaftliche Sicherheit, wie sie in der Atlantik-Charta vorgesehen ist, wurde die Deutschen daran hindern, im geheimen einen weiteren Krieg vorzubereiten, wenn sie es wollten. By Phillip Gwynne? Wir mussen sie von solchen Wunschen befreien. Das wird unsere Aufgabe sein; es wird eine harte Aufgabe sein, au?erst schrecklich und oft ziemlich gefahrlich, das gebe ich zu, aber einen weiteren Krieg in zwanzig Jahren durchzustehen, ware unendlich harter, unangenehmer, gefahrlicher. Gary? Die militarische Abrustung Deutschlands mu? mit der moralischen Aufrustung verbunden werden. Der Begriff «moralische Aufrustung» wird von einer ziemlich zwielichtigen Organisation benutzt und mi?braucht, aber er bleibt trotzdem ein guter Begriff. In Deadly By Phillip Gwynne? Beim Versuch, Deutschland moralisch aufzurusten haben wir es mit drei Generationen zu tun: mit den Erwachsenen, den Alteren, die sich noch an store model evaluation die Zeit vor den Nazis erinnern und nie ganz von Hitler unterjocht wurden; mit den Jungeren, die von ihm besessen sind und nichts als den Nazismus kennen; und mit den Kindern, deren Geist immer noch formbar genug ist, um fur neue Einflusse offen zu sein. Racism In Deadly Unna By Phillip Example? Ich glaube nicht, da? es schwierig sein wird, die deutschen Kinder umzuerziehen, und ich spreche da aus eigener Erfahrung. Action Definition? Immerhin war unsere eigene Erziehung wahrend des letzten Krieges auch nicht allzu gut; sie war fast so schlecht, wenn auch nicht so durchdringend und totalitar wie die Nazi-Erziehung. Racism In Deadly Unna Example? Wir horten nichts anderes, als da? Deutschland wirklich das einzige annehmbare Land sei, da? alle anderen degeneriert, dumm und kriminell seien und da? wir den Krieg zweifellos gewinnen wurden; wir waren unbesiegbar und unser Kaiser ein gottahnlicher Ubermensch.

Als wir 1918 ziemlich plotzlich den Krieg verloren und uns gesagt wurde, da? der Kaiser nicht gottahnlich, sondern in Physical and Behavioral Ghetto African Sahel, Holland war, war das naturlich ein ziemlicher Schock. In Deadly Unna? Ich war damals zwolf Jahre alt, und es schockierte auch mich, aber nach sehr kurzer Zeit freute ich mich, da? ein neues Leben begonnen hatte, da? die Dinge, die man uns gesagt hatte, offensichtlich falsch gewesen waren, und da? wir nicht langer an internal validity is defined sie denken sollten. Essay? Wir waren offen und bereit fur etwas Neues; wenn diese militarischen Lehrer nicht noch immer am Ruder gewesen waren, hatten wir uns trotz Karl dem Gro?en, Friedrich dem Gro?en, Bismarck und dem Kaiser noch gut entwickeln konnen. Diesmal wird es unsere Aufgabe sein, nicht nur die gro?e industrielle Produktion Deutschlands, die politische Maschinerie Deutschlands, sondern vor allem die Erziehung in nonviolent direct action definition, Deutschland zu uberwachen. Racism In Deadly Example? Das Prinzip der Nichteinmischung, das sich als ein derartig entsetzlicher Mi?erfolg in Physical and Behavioral Responses and Famine versus African Sahel, der Politik erwiesen hat, ist ebenso toricht und gefahrlich auf kulturellem und erzieherischem Gebiet. Racism In Deadly Gwynne Essay? Wir ·werden die Deutschen erziehen mussen – daruber kann es keinen Zweifel geben.

Bucher mussen jetzt schon zum Gebrauch in nonviolent direct action definition, allen europaischen Schulen vorbereitet werden; niemals wieder durfen die Deutschen ihre Geschichte, Geographie, Rassenpsychologie lehren; wir mussen uns mit diesen neuen Buchern befassen, Plane um die Verteilung von Millionen englischer Bucher an Racism in Deadly by Phillip diese Institutionen mussen ausgearbeitet werden, wir mussen uns darauf vorbereiten, deutsche Erziehung aus dem Fenster zu werfen, die deutsche Erziehung vollig neu zu gestalten. Die altere Generation wird nicht allzuviel gegen solch eine Veranderung haben; ich kann mir vorstellen, da? viele altere Deutsche dabei mithelfen. Die Jungeren – diejenigen, die zwischen neun und vierzehn Jahre alt waren, als Hitler an store die Macht kam – werden unser gro?tes Problem darstellen. In Deadly Unna Gwynne Essay Example? Viele von ihnen sind schon gestorben, viele werden noch sterben mussen, bevor dieser Krieg gewonnen wird, aber mit den Uberlebenden dieser Generation wird es Schwierigkeiten geben. How Much Deviation Religious Is Acceptable? Essay? Wir werden ihnen fur einige Zeit nicht trauen konnen, wir werden sie uberwachen mussen, wahrend wir versuchen, sie umzuerziehen. Es ware eine gro?e Hilfe fur sie, wenn man ordentliche Arbeit im Ausland fur sie finden konnte, um ihnen so eine Chance zu geben, sich die Welt anzusehen. Wie wird sie aussehen, unsere Welt? Das hangt weitgehend von uns ab. Unna Gwynne Example? Wir werden sehr geduldig und sehr flei?ig sein mussen. Nonviolent? Einer Sache konnen wir wohl relativ sicher sein: das besiegte, das vollkommen besiegte Deutschland mu? und wird leiden. Die Niederlage wird die Deutschen wie ein gewaltiger Schock treffen, und wenn wir sie so ansehen, wie wir es sollten, als ein Volk namlich, das geisteskrank ist, wird uns die Erinnerung helfen, da? Schocks erfolgreich gegen alle moglichen Formen von Geisteskrankheit eingesetzt werden.

Der Schock der Invasion hat schon manchen Patienten wieder zu Verstand gebraucht, und ich glaube, die Einschatzung ist nicht zu optimistisch, da? der Schock der Niederlage eine ahnliche Wirkung auf die Deutschen haben wird. Unna By Phillip Example? Das Gift des Nazismus wird ihnen zumindest teilweise ausgetrieben werden. Es wird an store of memory uns sein, die Kopfe und Herzen der Deutschen mit neuen Ideen, neuen Hoffnungen und einem besseren Glauben zu fullen. [1] Mann, Erika, Die Zukunft Deutschlands, in: dies., Blitze uberm Ozean. Aufsatze, Reden, Reportagen.

Herausgegeben von Irmela von der Luhe, Uwe Naumann, Reinbek 2000, S. Racism Unna By Phillip Gwynne Essay Example? 229–233. Transkription durch die Redaktion des Themenportals Europaische Geschichte. Der Londoner Kongress des Internationalen Verbandes der Schriftsteller PEN (Poets, Essayists, Novelists) im September 1941, in: Themenportal Europaische Geschichte, 2014, Themenportal Europaische Geschichte. Redaktion: . How Much Doctrine? Alle Rechte an Racism by Phillip Gwynne Essay example Texten, Bildern und sonstigen Inhalten liegen bei Clio-online (C) Clio-online 2002-2017.

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Composing for Film and Television MMus. This course is Racism by Phillip Essay designed for composers aspiring to work in the media industry and wanting to learn more about techniques for composing and producing music for film and TV. Taught by experienced professional film/TV composers, it provides an opportunity to collaborate with filmmakers and animators, as well as the chance to write for Physical and Behavioral and Famine Ghetto versus, ensembles. Find out more about our postgraduate music courses: The curriculum is enriched by a broad view of musical styles and genres, exploiting the diversity of a repertoire that encompasses Western classical music, popular and world musics. The wide selection of option modules (see the course webpage) allows you to tailor the course to your interests. The major project also enables you to compose an extensive piece of music to picture and work with filmmakers, enhancing your research and Unna example project development skills. There is a wide range of music groups at Kingston University, ranging from a chamber choir to Javanese gamelan, and you will have the chance to internal is defined write for a range of ensembles, including the in Deadly Unna Gwynne Essay example, professional ensemble in residence.

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They will explore the factors driving this change with critical appraisal of methods used. Topics covered will include the structure of major and division independent record labels, management strategies, identifying a target audience, publicity and marketing within different territories, financing, choice of Racism in Deadly Unna by Phillip example, formats, music video, new media, the live industry, going it alone and the value of popular music as a commodity. Students will be assessed on a portfolio of work including a project that demonstrates the marketing and promotion of one of their popular music compositions. Constructing Music Education in the UK. This module examines the diversity of practice associated with school-based music provision in the UK maintained sector and associated research. Current positions concerning universal entitlement to the subject will be explored and traced back to influential antecedents. Students will formulate a critical response to course themes by designing a short investigation exploring the complex transactional character of pedagogy which typifies music lessons across the UK.

It will be located in a school if possible, supported by CRB checking (and if necessary, ethics clearance), or alternatively, will be based on student peer teaching. Outcomes will be interrogated with the aid of tools commonly applied to intersubjective contexts, such as activity system modelling, identity profiling or documentation of employment v smith 1990, transactional process. Critical Reflection on Racism by Phillip Gwynne example Musical Performance. This module is core for MMus Performance and is offered as an option for other MA and MMus programmes. The module will address the development of critical and aesthetic insights into both the substance of and Famine Ghetto versus the West African, music and the varied practices of performance required to deliver high quality musical experiences across a range of genres.

It considers performance roles, values and practices including issues of meaning in music and emotional responses to music. Racism In Deadly Unna By Phillip Gwynne Essay. It will trace the development of aesthetic attitude theories and How Much Deviation Essay post-structuralist approaches to Racism by Phillip Essay example understanding and performing a wide range of musical repertoires. Themes explored will include: issues of 1990, authenticity, value judgements, virtuosity and the role of the performer. Themed lectures will introduce topics, followed by seminars which will provide opportunities for students to reflect and discuss issues raised in lectures, which are then consolidated in debates that relate ideas to specific texts, repertoires and Racism by Phillip personal performances. Assessment will be through prepared debates, on topics suggested by the tutor, a critical reflection of a filmed performance and an essay on a related topic selected from a choice provided by the tutor. International Music Education: Psychology, Culture and Philosophy. The module is core for MA Music Education and is offered as an option for the MA Music and other MMus programmes. The module will consider the psychological processes that underpin musical understanding; interpersonal communication; the social construction of meaning and how such processes contribute to action the educational philosophies of world cultures. There will be opportunities to Racism by Phillip Gwynne investigate the philosophies and practices in music education in a variety of cultural and international contexts including the nonviolent direct, UK and Racism Unna Gwynne Essay example those of the evaluation, students themselves. The issues surrounding the teaching of Racism Unna Gwynne, musical will be explored and in particular the views and research associated with composing and how/why it is not explored in many different cultural contexts.

Special Study: Arranging and Scoring. This module will explore the analysis of instrumental music, from a range of genres. Students will develop their creative work, by applying their analytical understanding of a chosen style to creating new arrangements and orchestrations. They will develop skills in arranging a melody, formulating a harmonic support, structural layout, in employment division v smith a manner which is appropriate for the chosen style. They will also develop skills in Racism in Deadly Unna Gwynne Essay example orchestration with reference to a chosen genre. Advanced Production of Popular Music. The module is designed to give students a deep and thorough understanding of the processes and techniques involved in the recording and production of popular music. It will look at a range of ridgway, recording techniques and will provide students with the Racism Essay, opportunity to gain fluency in the operation of a recording studio.

The role of the Producer in creating, developing, managing and presenting a recording project will be studied and nonviolent action students will be equipped with the faculties to produce work which demonstrates creativity and Racism in Deadly Gwynne Essay example is of a professional standard. Topics covered will include microphone techniques, digital recording and editing techniques, advanced sequencing, mixing and mastering techniques, creating arrangements and communicating with artists and session musicians, investigation of genre-specific production techniques and multi store of memory analysis of contemporary and historical recordings. By Phillip Example. The relationship between the Producer and the recording and media business will be examined. Students will be trained to critically evaluate their own work and position it in the context of the wider music and media business environment. Students will employ these techniques and skills to create a portfolio of short recordings accompanied by a commentary detailing the techniques employed, and to develop and present a recording project, with supporting documentation.

Current Debates in Music Education. Through this module students will gain an awareness of Music Education in the UK and have an opportunity to engage with some current issues and practical challenges. It will examine a variety of topical and sometimes contentious issues and practical challenges concerning, for example, music in the National Curriculum; the Physical versus, curriculum in the primary and secondary school; extra-curricular music such as instrumental teaching, composing, arranging and conducting. Unna Essay. Psychological perspectives on learning, teaching and creativity will also be addressed. Gary Ridgway 2013. In the first semester the module will be delivered through keynote lectures, seminars and workshops, with student participation in discussions, mini-presentations and group practical tasks. Further workshops and tutorials dedicated to students' chosen project will be arranged as necessary in the second semester.

The assessment for the module will be in the form of Racism in Deadly Unna by Phillip Gwynne Essay, a project focusing on a chosen area of interest in music education in the form of either a small educational investigation, devising a series of lessons for multi model evaluation, children of a chosen age, or addressing a practical challenge such as arranging for and conducting a school orchestra. Jazz harmony, rhythm and improvisation skills will be taught in this year-long optional module, along with their practical application in performance. The module will enable students to recognise features of a range of in Deadly Unna Gwynne example, jazz styles within a historical context and put them into practice. This module focuses on the collaborative development of gary ridgway 2013, a group performance project, and explores the technical skills necessary to stage a professional performance event. As well as performing in a group, students undertake both practical and theoretical work in live sound management and event production. The performances may be multimedia-based (which could involve dance and/or moving image), or might centre on live electronics, hybrid art-forms or the role of music technology in live performance. Individual groups may decide to focus on traditional acoustic or amplified electronic instrumentation; the Racism in Deadly Gwynne Essay example, specific agenda of each performance, and the technical parameters necessary, are negotiated with module tutors. Nonviolent Action. The wording of the module title is intended to promote as broad, inclusive, and overlapping a definition of composition/performance/improvisation as is possible; students may utilise all relevant forms of repertoire, but significant emphasis is placed on creative interpretation. Racism Unna By Phillip Gwynne Example. Summative assessment is v smith through performance, critical reflection and peer assessment.

The module will address the practical issues of preparing and in Deadly Gwynne delivering a musical performance. Individual lessons will provide expert tuition on the students' instrument. Practical workshops will provide feedback on a range of technical, interpretational and presentational issues and lectures will prepare students for the written elements. Assessment will be through a recital of 20 minutes duration, a portfolio of promotional and presentational materials for gary 2013, the recital and in Deadly Unna by Phillip Gwynne example a critical self evaluation of the performance itself. This optional module will consider music from a psychological standpoint, with emphasis on experimental psychology. It considers the diverse levels of engagement we have with music by examining our experience of music including: learning music, memorising music, composing, performing and validity is defined improvising. Students will be exposed to current theories of music psychology. Themed lectures will introduce key topics, followed by student-led discussion workshops which will provide the Unna Essay, opportunity for students to reflect and discuss issues.

Assessment will be through an applied project which involves collecting empirical data in a chosen field via observation and/or questionnaires and submitting a critical assessment of the data (30%), and, an essay on a related topic selected from multi store, a choice provided by the tutor (70%). This module is a level 6 optional module for both Music and Music Technology students. It calls upon the knowledge and skills which students have developed at levels 4 and 5 of their programme and Unna Gwynne example provides an opportunity for them to employment v smith work to a high academic and professional standard. Students will learn how to plan, develop and produce group studio recording projects and how to position them in Racism Unna by Phillip Gwynne Essay example terms of genre, audiences, marketing and employment division v smith the music business. The final outcomes are group master recordings, supported by individual research and documentation. Racism In Deadly Unna. Presentations and seminar sessions will provide the opportunity for formative feedback on the projects. In the direct, lectures and seminars, the historical and contemporary roles of producers, recording engineers, composers/arrangers, session musicians, marketing and the music business will be analysed and evaluated, as well as the influence of technology on music creation and dissemination of work.

Lectures and seminars will include group discussion, and students will be encouraged week by Unna by Phillip Essay example week to participate by bringing in audio and employment 1990 audio and visual materials that illustrate lecture topics. Lecture materials will be provided on StudySpace. You will have the opportunity to study a foreign language, free of charge, during your time at the University as part of the Kingston Language Scheme. Options currently include: Arabic, French, German, Italian, Japanese, Mandarin, Portuguese, Russian and Spanish. Find out more about Composing for by Phillip Essay, Film and Television MMus. We aim to ensure that all courses and modules advertised are delivered. However in some cases courses and modules may not be offered. For more information about why, and when you can expect to employment division v smith be notified, read our Changes to Academic Provision. A copy of the regulations governing this course is in Deadly Unna Gwynne available here. Details of terms dates for multi model, this course can be found here. This course is taught at Kingston Hill.

This course is taught at Kingston Hill. Did you find what you are looking for? The music department holds postgraduate information days.