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b boy history essay History of Breakdancing. Castle. Breakdancing seems so different from all other kinds of dancing that the first question people ask when they see it is: Where did these kids learn to dance like that? To many people, this dance seems to have come out of Essay on A Brilliant Forbes Nash nowhere. But like everything else, Breakdance did come from somewhere, something and someone. In the in a castle, case of Essay Brilliant Madness about John Forbes Nash Breakdancing, the someone is the great superstar, James Brown, and the something is the dance, the Good Foot. In 1969, when James Brown was getting down with his big hit Get on the Good Foot the in a, Hustle was the big dance style of the day.

If you've ever seen JamesBrown live in concert or on Essay, TV, then you know he can really get down. And when he preformed his hit, he did the kind of in a dance you'd expect James Brown to do. High Energy. Larkin Parents. This almost acrobatic dance was appropriately enough known as the lot of kids around New York City. By the time the Good Foot became the life castle, new dance style, the tradition of dance battle was well established. Countryside Essay. Dancers would gather at places like Harlem World on 116th Street in castle, Harlem and Battle-dancewise. Battles are covered in more detail in the section on Essay as a, battles, challanges, and contests, but the important thing as fas as the history of Breakdancing is life in a castle, concerned is that Breakdancing was particularly well-suited for competition. And not only was the Good Foot well- suited for dance battles, it appealed to certain young men who were very athletic. The Good Foot, which was soon to be called B-Boy and shortly after that Breakdancing, or Breaking, was very different from the Why Move Essay, Breaking we see today. In some ways it was simpler.

There were no Headspind. No Windmill. In A. No Handglides or Backspins. It was what is now called old-style Breaking. Danse Macabre. Old-Style Breaking consisted only of floor work, or Floor Rock, and in a way it was more complex than modern Breaking. There may be some small variations on the Headspin and in a castle a Backspin, but basically, a Headspin is danse, a head spin and a Backspin is a back spin.

But Floor Rock can involve som extremely complicated leg moves, and it is done very fast. And it did not take long before where were a lot of Breakdancing battles happening. Among those for whom old-style Breaking was especially popular were many of the youths and street gangs that roamed the South Bronx. And it was in those streets that Breakdancing really started. Life. Often, the best Breakers in to the, opposing gangs would battle dancewise instead of fighting. They would battle over turf. Or because someone stepped on someone else's shoes. They might battle prove that their gang was better than the other gang.

Sometimes they would make a contract that the loser would not go around to in a, the winner's neighborhood anymore. Sometimes they battled just to gain each other's respect. Unfortunately, these Breaking battles did not always stop fight. In fact, they often would cause a fight, since dancers would sometimes get physical when they couldn't win dancewise.No one likes to lose. But today Breaking battles have, to a large extent, replaced fighting in Brilliant Forbes Nash, the Bronx. In A. In this way Breakdancing crews-groups of macabre tattoo dancers who practice and preform together-were formed. And soon formal crews organized, who not only practiced and preformed together, but who also developed their own dance routines.

Some of these crewws became very dedicated to their dancing, and since they had nothing better to in a castle, do, would spend hours a day praticing, developing more and philip larkin more complex moves, improving their form, and increasing their speed. And then Afrika bambaataa came along. Bambaataa is the legendary grand master D.J. who is the individual most responsible for the successful growth of Breakdancing. He is a record producer and member of the Soul Sonic Force, whose Looking For The Perfect Beat was chosen as the No.4 best single in the 1983 Jazz and pop Critics' Poll. Afrika Bambaataa is also the leader of the Zulu Nation in life, the Bronx. In 1969, Afrika Bambaataa saw Breakdancing as more than just dancing. He saw it as a way to achieve something. He saw the potential of larkin Breakdancing, and encouraged the dancers to keep at in a castle, it.

To work hard, and to on My Future in Medicine as a Anesthesiologists, believe that if they stuck with it, something good would come of it. Bambaataa then started one of the first Breakdance crews, the Zulu Kings. The Zulu Kings won a lot of battles and talent shows and life in a preformed in various clubs in New York. At the same time they won a lot of adherents for the Zulu Nation. Old-style Breaking remained popular untill about 1977, when the Freak took over, based on the hit record Freak Out by the Shieks. Then around 1979 and Future in Medicine early 1980 a new Breakdance crew was organized-Rock Steady Crew. Even though Rock Steady Crew was especially talented, a lot of people put them down being old-fashioned. But Bambataa encouraged them. In A. He told them that if they stuck with it, something good would happen.

He took them on, and soon they were performing at the Mudd Club, the Ritz, and other Punk rock clubs around New York. When Rock Steady performed for Malcom McLaren and Bow Wow Wow at Why Move to the, the Ritz people started taking them seriously. Breakdancing Was In Again. But the new-style Breaking was different from the castle, old. Rock Steady added a lot of acrobatic moves. Breaking now included not only Floor Rock but Headspins, Backspins, Handglides, and Windmills. Philip. In 1981, Charles Ahearn made his Hip-Hop movie, Wild Style, a raw vision of rap singing, graffiti, scratching, and Breakdancing in the Bronx. Ahearn called on life in a castle, Rock Steady to do the Breaking and Rock Steady became the preeminent Breakdance crew and new-style Breaking became even more popular. When the spring of 1982 rolled around the Roxy was a well-established New York roller-skating rink.

But the philip larkin parents, popularity of roller skating quickly began to fade, and in June of '82, Pat Fuji turned the Roxy into life in a, a dance club on Thursday, Friday, and Essay Madness John Forbes Saturday night. The Roxy quickly became the Hip Hop center. It was here that rappers, D.J.'s, and Breakdancers would perform and hang out. If you wanted to discover a Breakdancer for life castle your show or video, you would come to the Roxy. Or if you just wanted to to the Essay, watch or learn some new moves, you would come to the Roxy. And the life, Roxy started to sponsor Breakdance contests, which would help the winners get more recognition. In June, 1983, Pat Fuji hired professional Jazz dancer Rosanne Hoare to run the Street Arts Consortium, whish was a house Breakdancing, rapping, and graffiti art.

Rosy was going to Why Move to the Countryside Essay, officially establish a home for in a castle Hip Hop Culture. While the Street Art Consorium never really happened as envisioned, Rosy did provide a home for Breakdancers. She not only provided a place where they could feel at home, but she worked with them as a choreographer, helping to extend their dance possibilities. She also helped many dancer find commercial and performing dance work. Most importanly, Rosy was-and is-always there as a friend whom they can count on.

She herself has taken up Breakdancing.

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oedipus essay planes (Art and Education, a alliance between Artforum and e-flux, is a global platform for distributing research in the field of modern and castle, contemporary art). [Images, not originally in artandeducation.net, have been added here] This is the philip parents very ecstasy of love, Whose violent property fordoes itself. It is impossible to overlook the extent to which.

civilization is built upon a renunciation of instinct. Andr Masson was born in 1896 and spent his early years in one of the most beautiful provinces of Northern France. Fresh rivers, fertile fields, and the rich forests of the life Ile-de-France, celebrated by Barbizon and Essay as a, Impressionist painters, were the life in a backdrop of his childhood and inspired his lifelong love of nature. His father’s business took the Essay on My as a family to life in a castle Brussels, where he encountered Old Master paintings in the local museums. He was admitted to the Acadmie Royale des Beaux-Arts et l’Ecole des Arts Dcoratifs at to the Essay age eleven. Life In A Castle. In cities all over Europe at the turn of the century young people were enthralled by Art Nouveau, Impressionism, and Why Move to the Countryside Essay, Symbolism, as well as Nietzsche and Wagner. Something of a drifter in his teenage years, he became a vegetarian, went barefoot, read avidly in literature and philosophy, considered himself a Wagnerian and a Nietzschean, resisted social conventions - and was taken in life in a castle, by the authorities more than once. By 1913 Andr Masson was in Paris, studying at regulations 1999 the cole des Beaux-Arts , and first learned of the work of the Cubists through reproductions (he thought they were obsessed with automobile accidents). When war was declared he volunteered because he wanted to life castle experience the Wagnerian aspects of battle[1] and larkin parents, know the ecstasy of death. [2] He experienced that ecstasy the day a bullet ripped into the young artist's chest during the offensive at Chemin des Dames in April of 1917 (Adolf Hitler also fought at Chemin des Dames).

Stretcher-bearers were unable to get him to safety and he was left for the night, half-dead, on his back, where he was a submissive spectator of the struggle, gazing at life the conflict overhead. Radiation Regulations. Masson had spent three years in the trenches in conditions so horrible he was unable to speak of them for years, and his wounds caused him psychic trouble to life in a castle the end of his life. Torrential Self-Portrait, 1945, ink on Brilliant John paper, 18-7/8x24 in. Life In A Castle. [48x61 cm]. Musée National d’Art Moderne, Centre Pompidou, Paris. There followed a succession of hospitals for two years, and even padded cell confinement in Countryside, a psychiatric ward.

His doctor advised that he never again live in a big city. The war left him nervous with nightmares; he suffered from insomnia and spent long painful hours dreaming new paintings. The Crows, 1922, oil on canvas, 92x73 cm [36¼x28¾ inches]. private collection, Le Havre. A Throw of the Dice, 1922, oil on canvas, 37#8539;x25¼, Essen Museum, Germany. A Throw of the Dice is in a doubtless a reference to Stphane Mallarm’s Un Coup de ds jamais n’abolira le hazard , and/or Igitur . Anna Balakian wrote that the “throwing of the dice, of which we had the Essay on A Brilliant Madness Nash initial example in Igitur, is the castle representation of human power, and the “hasard,” which it cannot succeed in mastering…” “Igitur’s life, therefore, is directed toward one single act, symbolized in Future Anesthesiologists, the blowing out of the candle followed by the casting of dice.” [3] In contrast to the bareness of Crows, A Throw of the Dice is filled with references to events and personal experiences as well as to life castle acquaintances who gathered in ionising regulations, his studio on the rue Blomet (this Cubist-influenced painting was bought by Ernest Hemingway directly from the artist’s studio). Guite Masson, Director of Comit Andr Masson, identifies the in a castle figure throwing the dice as Georges Limbour; the others as Roland Tual, Theodore Fraenkel, and “sans doute Michel Leiris.” Could these personages also be an allusion to the land taylor Masson’s having survived the war in what Nietzsche called, “the great dice game of existence.” The dice, at bottom center, are about to slip off the bottom of the painting into the unknown - the “ nant .” Dice have a connotation of predetermined fatalism and appeared in many paintings at that time by Picasso, Braque, Klee, and others. Although Picasso admired his work, years later Masson said he had never been truly Cubist, for life Cubists “have nothing to do with the representations of Nash, dreams of life in a castle, those instincts which lie at the root of our being.”

The Repast, 1922, oil on canvas, 31#8542;x36#8541;, private collection, Paris. To eat together is spiritual union; meals in an ancient household were sacred because the household god was present. Masson’s close friends, artists, philosophers, and Essay Future in Medicine as a, poets, were often portrayed in a variety of shared activities, as in The Repast . The pomegranate has a long symbolic tradition, going back to pagan mythology where it was the attribute of Persephone, signifying her periodic return to earth in the spring. Because of its abundant red seeds it is life a symbol of fertility. Radiation Regulations. However, the French word grenade means both pomegranate and hand grenade. For Masson the in a pomegranate, “the only fruit that bleeds,” was a sign of death, for he suffered a battlefield memory of a soldier’s head blown open and looking very much like a gaping pomegranate. Yet the figure on the right holds a glass of wine, another holds bread - the the land taylor “liquid of life” and the “staff of life.” Masson affirmed life even with conflicting flashbacks. In 1923 Hitler’s Nazi putsch failed in Munich, while General Primo de Rivera became dictator of Spain. Cubist influence was evident in the artist’s work but with personal metamorphoses; even his still lifes were charged with an intensity of feeling at odds with the life spirit of Cubism. Classic Cubist still life elements: tilted tabletop in shallow space, musical instruments, drinking glasses, fruit, even a Braque-like white clay pipe, plus Masson’s symbolic pomegranate, are apparent in Still Life with Candle . The lighted candle is fraught with allusions: uncertainty of being, illumination in macabre, the darkness of life, intelligence, and life in a castle, spiritual strength.

28x31½, collection of Mr Mrs Alexander P. Rosenberg, New York. However, this candle burns but does not illuminate. The primary significance of the ionising 1999 flame for Masson stems from the ancient Greek philosopher Heraclitus of Ephesus, who regarded fire as the fundamental substance, “Everything, like a flame in a fire, is born of the death of something else … the primordial element out of which everything else arises.” Heraclitus, Masson stated, “remains for me the life essential philosopher.” To a great degree Heraclitus foreshadowed the Essay modern conception of the castle uniformity of natural law. If we substitute energy for Heraclitus’s term fire , as Werner Heisenberg [4] suggests, virtually everything he says about change is acceptable from the philip modern scientific point of view . The following year Masson became involved with Surrealism, [5] and by 1927 there were depictions of physical conflicts in his animal world: fish, birds, insects, and horses engaged in battle, as well as scenes of slaughter, massacres, copulation and rape. Andre Masson was possibly the most consistent portrayer of cruel confrontations and life castle, bizarre combat in Surrealism. The Land Taylor. He also painted some of his most symbolic and speculative works as his erudition served insight and revelation. In A. In Ophelia Shakespeare's female.

Ophelia, 1937, oil on canvas, 44#8542;x57½, Baltimore Museum of danse tattoo, Art, Sadie A. May Collection. protagonist is life in a castle surrounded by a countryside filled with ponds and lush vegetation, like the fertile fields of the on A about Forbes Ile-de-France where Masson grew up. Ophelia’s face is made up of floral forms. Flowers are a traditional symbol of life, fecundity, and joy, but Ophelia says: “There’s rosemary, that’s for remembrance; pray, love, remember; … there's rue for you; and here's some for me … O you must wear your rue with a difference.” Rue was a sign of repentance. More importantly it was also known and used in ancient times, and in the Renaissance, as a contraceptive and an abortifacient. [6] Rosemary was an established emblem of life in a castle, betrothal, but the Prince must wear his “rue with a difference.” Ophelia, like a supine non-erotic odalisque, is submerged in primordial waters; only her face, echoed in the cloud formation above, is visible. Life comes from water; immersion in water signifies a return to a pre-formal state, like baptism, with a sense of the land taylor, birth and regeneration on one hand and death and annihilation on the other. The sunlit sky is filled with cosmic forms and astral bodies; Ophelia is in a castle transformed into a cosmic planetary constellation not unlike Titian’s Bacchus and Ariadne where Bacchus, seeing the deserted, lovelorn Ariadne, leaps from his chariot to embrace her.

That event is mimicked by Brilliant Madness John Forbes Nash the clouds whose shapes echo the drapery and gestures of the principles, and where the starry crown of immortality awaits Ariadne as a constellation. National Gallery, London. Above Ophelia is no Bacchic benefactor, but the reaper Death, Claimer of Souls; while scorpion-like insects (similar to mantes, scorpions show cannibalistic sexuality [7]) frolic, play, and serenade Ophelia - as their lives go on unencumbered by Shakespearean tragedy. As Ophelia said, “We know not what we are, but know not what we may be” (IV,5,45). militias on the Place de la Concorde near the seat of the National Assembly. It was one of the major political crises. during the Third Republic and entered the life popular consciousness of the socialist movement as an attempt. to organize a fascist coup d'tat; 16 people were killed and 2,000 injured.

Masson witnessed the Essay Future in Medicine fascist riots of 1934 in Paris; he anticipated another war and decided to leave France. Recalling the doctor's advice to avoid city life, he decided Spain would offer a peaceful life. Hardly had he and his family reached Spain than insurrection broke out in Barcelona. They found themselves trapped in life, the home of a friend in the middle of shelling and sniper fire. Lying behind mattresses for shelter, Masson felt he was in the trenches again. [8] The Masson family returned to France when the Spanish Civil War broke out in 1936. The next year German planes bombed the little town of Guernica, Picasso painted his mural, and Andre Breton was put in charge of Galerie Gradiva for the Surrealist exhibitions. Ionising Radiation. It is likely that Masson, just returned from the life terrible scenes of the Civil War, and Future as a Anesthesiologists, disturbed by the indifference of Europe to castle the fascist horror, was making a statement about the Future as a Anesthesiologists existence of dreadful suffering and impending disaster. A titanic figure, like Samson destroying the temple, seems to be bringing down the modern world around himself in in a, the disturbing In the Tower of Sleep. 32x39½, Baltimore Museum of Art, Sadie A. May Collection.

Vital fluid gushes from Brilliant Madness John Forbes Nash, his genitals and a gaping head wound spills forth seeds like an open pomegranate. Blood flows, fires (Heraclitean?) are burning. At upper right a woman’s nipples are bleeding as though pierced from within with sword-points. A humanoid, Bosch-like musical instrument (left of the central figure), reminiscent of the scorpion-like insects in Ophelia , tears its own strings with a saw-like bow in a sadomasochistic serenade. The flayed figure came from a memory of the war,” explained Masson, “a figure lying in life in a, a trench with his head split open;” [9] it all takes place in a tower from which there is no way out except into the abyss. [10] In ancient and medieval warfare, a tall tower was used in storming fortified castles, and ionising regulations 1999, terrible carnage ensued. The tower, in in a castle, dream symbolism, represents elevation, pedestal, and inaccessibility, with phallic connotations.

Masson’s subconscious flashback explains the chaotic composition of the painting, almost psychotically* thrown together like a horrible nightmare with its plethora of complex motifs. As with the by mildred infamous “Famine Tower” where Ugolino and children were immured, horrific images grow in the imagination. Possibly also a reference to life in a castle the Tour de Nesle Affair, a scandal of the French royal family in 1314, during which the daughters-in-law of Philip IV were accused of adultery. Countryside Essay. The Tour de Nesle was a tower in Paris where much of the adultery occurred. The scandal led to torture, executions and imprisonments, with lasting consequences for the final years of the Capetian dynasty.

The knights suffered horrific deaths: flayed, broken on the wheel, burned with hot lead and life castle, sulfur, genitals thrown to the dogs, and decapitation. Is Masson making a comment on “the final years” of European dynasty? * William Rubin refered to the late 1930 pictures as “ugly” and In the larkin parents Tower of Sleep as the life in a “most repugnant of these Guignols.” (William Rubin, “Notes on Masson and macabre tattoo, Pollock,” Arts , November 1959, p. 41). [Presumably, he meant Grand Guignol theatre [ Le Thtre du Grand-Guignol ] in the Pigalle area of Paris that specialized in horror shows, not Guignol, the character in a puppet show for children]. Masson had wide-ranging fascination and life castle, interest in all things throughout his life. Sigmund Freud's essay of 1906, Delusions and Dreams in Jensen's Gradiva, translated into larkin parents, French in 1931, impressed the Surrealists more forcefully than his other writings. It was an analysis of a novel about an archeologist so devoted to his profession that he had no place in his life for women. He visited Pompeii where he met Gradiva, who turned out to be a childhood friend who, in love with him, conformed to his delusions in order to life in a cure him. Freud refers to this revelation and final salvation as the medication of love. On My Anesthesiologists. The Surrealists adopted “medication” as their program, and Gradiva as their Ideal Woman; Gradiva could intercede between the real and the surreal, life and death, creation and destruction. 34½x48½, Collection Parti, Paris.

Masson's Gradiva retains the right foot in erection, [11] as in life, the ancient marble relief of Gradiva in the Vatican Museum - and similar to the stance of a preying mantis. The body of Gradiva is in ionising radiation regulations, both a birth and death stance, like a combination Aztec birth goddess and an Ariadne sleeping pose. Masson, other Surrealists, Freud's paper, Breton's essay, all used the Gradiva theme as a myth of metamorphosis and regeneration of life in a castle, life. 19#8541;x25¾, collection of Francois Odermatt, Paris. Le rve d'Ariane , (1941, Francois Odermatt Collection, Paris) betokens the Why Move to the Countryside mysteries of female organs, just as the shell-vulva in Gradiva is associated with water and Venus, sources of fertility and symbols of one generation rising from the death of the preceding - similarities and parallels to motifs in life in a castle, Ophelia and the Heraclitean concept. The profile of the sacred white bull (ominously darkened here) morphs frenziedly through spiraling tubal labyrinths to the waiting Ariadne (the volute suggests a vaginal plexus ). W.F. Jackson Knight cites Hommel as finding Cretan and Babylonian evidence of a connection between the spiral labyrinth and the internal organs of the human anatomy, one being a microcosm of the philip other. [12] Indeed, in Leiris' novel, Aurora [13] the life in a castle act of descending stairs is a descent into the self, a characteristic surrealist form of a pursuit of self-knowledge: “This stairway is … set in a spiral which permits access to the various parts of the parents premises which contain your attic, it is your very viscera, it is your digestive tract which connects your mouth of which you are proud, to your anus, of which you are ashamed, hollowing out through the body its sinuous sticky way.” Does Ariadne’s labyrinthine umbilical-thread help Masson to represent the in a “dreams of those instincts which lie at the root of our being”? or the medication of love?

Johann Wolfgang von Goethe, poet and author, worked as a scientist in various fields such as mineralogy, comparative anatomy, botany, and the theory of color. There were years when science occupied him more than poetry. 28¾x45#8541;, Vera and Arturo Schwarz Collection, Israel Museum, Jerusalem. In Masson’s Goethe and the Metamorphosis of Plants , Goethe, who wrote “the eye both perceives and speaks,” [14] gazes intently at a gorgeous vision of philip, primordial-looking germinations, crystalline radiations, and prisms. Perhaps the geometric “prism” between Goethe and the plants is a reference to Isaac Newton’s rationalistic documentation of color that Goethe resisted. Until then, most of the accepted concepts about color had been advanced by artist-scientists, like Leonardo da Vinci, who based their theories on their experiences with pigment rather than light. Paint and light are fundamentally different: light is the in a source of all color, and pigments are simply reflectors, absorbers and Nash, transmitters of colors. In A Castle. Eventually the sensation of color is in our brain. Like Masson, Goethe knew that the sensation of color was a psychological and on My as a, sensual experience of the mind; his “Theory of Color” (a premise now known as phenomenology of colors) he regarded as proof against Newtonian optics.

In his epoch-making, Essay on Metamorphosis of Plants Goethe set out to trace the specific phenomena in the magnificent garden of the universe, back to one simple general principle. He saw plants as reflections of life forces and believed that the genera and species were variations of life castle, a basic archetype, the larkin Urplanz , Ur -Plant, or First Plant. He published his scientific theory, but botanists and scientists snickered and advised him to stick to poetry. He took their advice and rephrased his views in a poem, “The Metamorphosis of Plants.” Gradually his theory accumulated supporters, and is today the foundation for much of the study of plants, just as his color theories have new adherents through Color Field paintings. Masson felt great affinity for castle this genius whose insight was illuminated by his study of nature. When the Germans occupied France in 1939, Masson was in danger of persecution by the Nazis because of his “degenerate” work, because the Surrealists had ties to the Communist Party, and because his wife was Jewish. Shortly after finishing the painting, Masson and his family fled to Auvergne in unoccupied France and eventually to America. Masson found Manhattan “a sublime city … entirely made by our contemporaries.” Nevertheless, his old horror of the confusion of urban life was intensified by the city, so he moved to the seclusion of an old Colonial-style house in suburban Connecticut where he painted Meditation on an Oak Leaf . 40x33, Museum of Modern Art, New York. The Japanese bombed Pearl Harbor in 1941 and the U.S. declared war. Ionising Radiation Regulations. Masson’s “American Period” began with what he called “triumphant tellurism … symbols of blooming and germination.” [15] During the war Americans were urged to grow their own food in life castle, Victory Gardens; accordingly the artist dug into the dark rich Connecticut earth and grew his own vegetables.

He was impressed by danse macabre the fertility of life in a castle, American soil; years later in France he exclaimed: In New England there are oak trees three times larger than here, the leaves also! The weeds are three times larger than here and Essay Future as a Anesthesiologists, the insects gigantic, for there is an astonishing fauna and it remains very wild 250 kilometers from New York . so I put a wildcat in my painting.” [16] No Cartesian meditation, no contemplation on the Tree of Life, Meditation on life in a an Oak Leaf is danse macabre tattoo organized in organic, cartouche-like compartments, pinched in the middle like cell division; the entire configuration is a kind of totem pole of private myths of pod and womb-like forms. Life In A Castle. The wildcat’s head surmounts this staff, and next to it are two eyes - one glowing red connected by a figure-eight, symbol of Why Move Essay, infinity. The painting is in life in a, primary colors: red, blue, yellow; and white, on a black ground that stands for philip parents earth, as the source of growth and regeneration, like Goethe’s “reflections of castle, life forces.” Red is the danse macabre tattoo energy principle, yellow the solar force, and life in a, blue the color of contemplation. “American energy fascinated me,” Masson said, “I painted the power of the earth. The magic. Macabre. The climate.” The saturated hues of his American works, the sensual and mental experiences were an attempt to battle against the light that he found so fiercely bright in his adopted country.

There are suggestions of roots and tendrils in the painting, of growing things weaving throughout the composition. Life Castle. Compressed, bisected shapes are translated into “vegetable and human fragments: leaf, worm, seed, flower, eye.” [17] Below the oval, womb-like compartment is a depiction of the quiescent artist in meditation (not unlike the pose in Matisse’s Girl Asleep , or Le Rêve, and reminiscent of the. 31#8542;x25½, private collection, Paris. figure in Repast , slumped over regulations 1999 with his head in his arm and a pomegranate in (Masson’s?) hand, along with the umbilical threads of life in a, Le rve d'Ariane . At middle right is primordial, cactus-like foliage, as in Goethe and philip, the Metamorphosis of castle, Plants . The larva, seed, or embryo of nascent white below the the land by mildred peacefully dreaming painter has a broken line (always a sign of movement in in a castle, Masson’s art) indicating that fertilization has taken place. Masson designed a curtain, Libert, Egalit, Fraternit , in 1942 for a Society of American Friends of France ceremony that showed his involvement with France’s plight in the midst of war. Clement Greenberg stated that Masson's visit to America played a pivotal role in the development of Abstract Expressionism in New York. Jackson. Pollock's Totem 1 (1944) is considered an extrapolation of Masson's Meditation on Oak Leaf , [18] and his Pasipha (1943) was painted soon after Masson’s work of the same title, while Gorky’s Garden in Why Move to the Countryside Essay, Sochi series (early 1940s. They were neighbors in Connecticut) has parallels with Masson’s art of life in a castle, those years. With the Forbes Nash end of the war, Masson returned to in a his native France where he was the subject of the land by mildred, retrospective and solo exhibitions throughout Europe.

He won France's National Prize for life in a Painting in Essay on A Brilliant Madness about Nash, 1954. He had seen the large collections of in a, Chinese art at the Metropolitan Museum in New York and at the Boston Museum in Massachusetts, and recognized sensibilities toward nature that paralleled his own. “At first glance there’s no human trace in Chinese landscapes,” he said, “as the eye travels over the painting, a few brushstrokes reveal the figure of a man. A grain of dust in that world” - reminiscent of William Blake’s “To see the World in 1999, a Grain of life, Sand, / And a Heaven in a Wild Flower…” In the tattoo mid 1950s, calligraphic forms derived from Chinese and Japanese ideograms began to appear in in a castle, Masson’s works. He was enthralled by Essay the play of spontaneity and control in Asian art and was drawn to the philosophy of Zen Buddhism. Interestingly, Surrealism and Zen share the concept that surprising juxtapositions can inspire powerful insights and intuitions. Life In A. “Having left the realm of Surrealism, Masson was expressing a broadly humanistic, existentialist conception of the artist’s activity,” stated Clark Poling. “In their visual dynamism these works embody creative energy, thus recapitulating a central aspect of automatism without bearing particular evidence of danse tattoo, a source in the unconscious.” [19] 39#8540;x59, Mobilier National, Paris. In Pursuit of in a castle, Hatchings and macabre tattoo, Germinations is a study Masson made for a Gobelin tapestry. Over an earth-brown underpainting is a fusion of subtle depictions of a bird, a floating figure with fruit, heart-fashioned vagina, fish, insects, leaf, worm, seed, flower, eye, egg and life castle, embryo shapes, - images that have long intrigued Masson - and trailing hatchings of Essay on A Brilliant about Forbes, colorful meandering calligraphic lines, veins and streaks. Masson is pursuing the hidden reality, the psyche, or spirit of the dynamics of nature that can’t be detached from its aesthetic values. Life In A. Zen, the danse macabre tattoo meditative method of reaching serenity and imbued by a deep sense of the cosmic order of creation, opened the way to inner tranquility and enlightenment for Masson.

In 1976 Masson was honored with a retrospective exhibition at the Museum of Modern Art in New York; four years later he had to in a castle abandon painting because of ill health. In early 1987 a large exhibition of his drawings was held at the Haywood Gallery in London; he made his last trip to see it. He died, age 91, in his Paris home in October of John Nash, that year. Without “a renunciation of instinct” Andr Masson sought the “ecstasy of death” as a young man. He survived, and in a castle, found the Anesthesiologists ecstasy of life, love, and art, of courage and sagacity, in castle, the chaos and carnage that was the twentieth century. Future In Medicine As A Anesthesiologists. Sophocles ended King Oedipus with: “… learn that mortal man must always look to castle his ending, for philip larkin parents none can be called happy until that day when he carries his happiness down to the grave in peace.” Masson’s valor and acumen, his affirmation of life in the face of devastating odds, earned him the in a ancient Greek maxim: “Satisfaction, all passion spent.” [1] Interview with Masson, Newsweek magazine, 15 November 1965, vol. Why Move To The Countryside Essay. 2, no.

35, p. 106. [2] An allusion to Tristan und Isolde ’s Liebestod where death is the only consummation. Isolde’s final words were höchste Lust [highest bliss]. When Polonius says “ecstasy of castle, love” (II,1,113), when Ophelia describes Hamlet as “blasted with ecstasy” (III,1,160), and when Hamlet declares “ecstasy was ne’er so thrall’d” (III,4,74) to his mother, Shakespeare uses the word “ecstasy” in the Elizabethan sense of disordered, madness, unbalanced, - a derangement of the senses . [3] Anna Balakian, Literary Origins of Surrealism: A New Mysticism in French Poetry (New York, King's Crown Press, 1947), p. 129, p. 92. [4] Werner Heisenberg, Physics and Philosophy , NY: Harper and to the Countryside, Row, 1958, p.71; as quoted in life, Robert Nadeau, Readings from the New Book on Nature: Physics and Metaphysics in the Modern Novel , University of Massachusetts Press, Amherst, 1981, p. 21. [5] Masson introduced the Essay Brilliant John Forbes Nash idea of the Minotaur and labyrinth to life the Surrealists, “ it was Masson and Georges Bataille who suggested Le Minotaur as well as Labyrinthe as titles for Albert Skira’s publications”: Martin Ries, “Picasso and the Myth of the Minotaur,” Art Journal , XXXII/2, Winter 1972/73, p.142. In a letter, dated 26 June 1967, in answer to questions by Martin Ries: “The title of the magazine Le Minotaure had not been proposed by to the Essay the orthodox Surrealists but by Georges Bataille and myself in a meeting at Vitrac's house, Rue de Seine, we won after arguing against the opposing Surrealists who wanted to call the magazine l'Age d’or . It was only later that Breton and the rest of the loyal Surrealists worked for it too. But not without some reserve because of the title. About Labyrinthe , it was Bataille who gave the idea to Skira.” [6] John M. Riddle, J. Worth Estes, and life, Josiah C. Russell, Ever Since Eve . . . Birth Control in the Ancient World. To The Countryside. Archaeology vol. 47, no.

2 (March/April, 1994), 29-35. [7] Mantes, unlike other insects, do not eat plant life; they are the cannibals of the insect world and devour members of their own family. They appealed to the Surrealists because of the fact that, while mating, the female devours the in a castle male, although the male continues to on My as a copulate. See William L. Pressley, The Praying Mantis in Surrealist Art, Art Bulletin , vol. LV, no. Castle. 4, (December, 1970) [8] Dawn Ades, André Masson , NY: Rizzoli, 1994, p.17. [9] Jean-Paul Clébert, Mythologie d'Andr é Masson , Geneva:Cailler, 1971, p. 57.

Cited in William Rubin and Carolyn Lanchner, André Masson , New York, Museum of to the, Modern Art, 1976, p. 227, n. 94. [11] Freud described her foot as perpendicular, in Jensen's 'Gradiva' , ( Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. James Strachey, London, 1959, IX, pp. 10, 28, 46, 95). See Jean-Paul Clébert, Mythologie d'Andr é Masson , Geneva:Cailler, 1971, p. 95; also cited in William Rubin and Carolyn Lanchner, André Masson , MOMA, 1976, p.227, n. 94; Whitney Chadwick, Masson's Gradiva : The Metamorphosis of a Surrealist Myth, Art Bulletin , vol. LII, No. 4, (December, 1970); and Martin Ries, Andre Masson: Surrealism and His Discontents, Art Journal , vol. Life Castle. 61, no. 4, winter 2002. [12] Knight, W. F. Jackson, Maze Symbolism and Trojan Game Antiquity , December 1932, vol.

6, #24, p. 450; citing Fritz Hommel in Orientalistische Literaturzeitung , 1919, XXVI, 63 ff. [13] J. H. The Land Taylor. Matthews, Surrealism and the Novel , Ann Arbor 1966, p. 108; citing Michel Leiris, Aurora , Paris: Gallimard, 1946. p. 23. Aurora was written between 1927 and 1928, published in 1946 (Matthews, p. 122). [14] The ear is dumb, the in a mouth deaf, but the eye both perceives and speaks, Naturwissenschaftliche Schriften, [Nature Studies] vol. 5, p.12. [15] Andre Masson, Entretiens avec Georges Charpentier , Paris: Julliard, 1958. [18] William Rubin and Carolyn Lanchner, André Masson, NY: Museum of Modern Art, 1976, p. 67. [19] Clark V. Poling, Andre Masson and the Surrealist Self , New Haven and London: Yale University Press, 2008, p.162.

This paper was written with the help of a Release-Time Research Grant from Long Island University, the Brooklyn Center.

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form 5 essay report Click on life in a, the highlighted text to see the comments. Computer systems computer systems. This report investigates the Brilliant about Nash current state of life in a scanner technology and examines the predicted future advancements of scanners. A brief history of the scanner and its operation is initially outlined. The discussion then focuses on the advantages and limitations of the five main types of scanners in common use today: drum, flatbed, sheet-fed, slide, and hand held scanners. The performance of these scanners is examined in relation to four main criteria: resolution, bit-depth, dynamic range and software.

It is concluded that further technological advances in these four areas as well as the Essay Brilliant Madness John Forbes Nash deployment of new sensor technology will continue to improve the quality of scanned images. It is also suggested that specialised scanners will increasingly be incorporated into other types of technology such as digital cameras. The purpose of this report is to survey the current state of scanner technology and to life castle briefly discuss predicted advancements in the field. By examining a range of recently published journal articles, magazine articles and internet sites on the topic of scanners this report describes the main types of scanners in common use today and examines their performance in relation to four criteria: resolution, bit-depth, dynamic range and radiation regulations 1999, software. The report then considers the effect of further technological advances in these four areas, as well as the in a deployment of new sensor technology on the future development of ionising regulations 1999 scanners. The first scanner, initially referred to as a #039;reading machine#039;, was developed in 1960 by Jacob Rabinow, a Russian born engineer. The device could scan printed material and then compare each character to a set of life standards in a matrix using, for the first time, the best match principle to determine the original message (Blatner, Fleishman and Roth 1998, p.3). This reading machine was to form the basis for the development of current scanning, sorting and processing machines. An early improvement on the reading machine was the by mildred drum scanner. These scanners used a type of scanning technology called photomultiplier tubes (PMT) . Drum scanners are still used in industry today because of the high quality images they produce. The development of smaller, more economical scanners such as desktop scanners and life castle, scanners for philip domestic use followed the drum scanner as the number of computer users increased and computer technology advanced.

Scanners can now capture images from a wide variety of life two and three dimensional sources. These images are converted to digitised computer files that can be stored on a hard-drive or floppy disk. With the aid of specific software, these images can then be manipulated and enhanced by the user. It is now possible to deploy electronic acquisition to create an entire layout (including all graphic elements) from the same computer. This means manual stripping is no longer required (Scanners, digital cameras and photo CDs 2000).

Scanners are considered an invaluable tool for adding graphics and radiation regulations, text to in a documents and have been readily adopted by both business and domestic users. A scanner is a device that uses a light source to electronically convert an image into binary data (0s and 1s). This binary data can then be used to store the on My Future Anesthesiologists scanned image on a computer. A scanner recreates an image by using small electronic components referred to as the in a scanner#039;s #039;eyes#039; (Scanner tips 2000). Danse Macabre. The type of #039;eyes#039; used in today#039;s scanners are charge-coupled devices (CCD) and photomultiplier tubes (PMT). These electronic eyes measure the amount of light reflected from individual points on the page and translate it to life castle digital signals that correspond to the brightness of each point (Englander 2000). To create a file on the computer that represents a colour image, the scanner divides the image into a grid with many individual points called pixels or picture elements (Scanner tips 2000).

A scanning head, termed a row of #039;eyes#039;, reads over the grid and macabre, assigns a number to castle each pixel based on the main colour in that pixel, using green, blue and philip parents, red. Life In A Castle. For example an aqua pixel would be saved as a number to philip larkin represent the proportion of blue, green and red which represents the colour aqua (Scanners, digital cameras and photo CDs 2000). There are five main types of scanners in common use today: drum scanners, flatbed scanners, sheet-fed scanners, slide scanners, and hand held scanners. Drum scanners were widely used in the past, however they are much less commonly used today due to advances in scanner technology. As a result of life in a their expense, these machines are primarily used by professionals in industry, where they are considered important due to the high-end quality image they produce and because they use PMT technology which is more sophisticated than charge-coupled devices (CCDs) and contact image sensor#039;s (CISs). Drum scanners are difficult to operate and technicians operate these scanners by placing the to the Essay item to be scanned on a glass cylinder rotating at high speeds around the in a castle sensor (Sullivan 1996). The most popular scanners for general use are flatbed scanners. This type of scanner is highly versatile because it is able to scan flat objects as well as small three dimensional objects. Flat-bed scanners operate by placing the item to be scanned on a glass window while scanning heads move underneath it.

A transparency adapter is used to scan transparent originals such as slides or x-rays, and to the Countryside, an automatic document feeder is available for scanning large numbers of documents (Scanner tips 2000) . Sheet-fed scanners have grown in popularity in recent years, particularly for small office or domestic use as they are reasonably priced, can scan full-sized documents and are compact, requiring limited desk space (Scanner tips 2000). Life In A Castle. Most models of sheet-fed scanners have an ionising radiation regulations, inbuilt document feeder to overcome the problem of manually feeding one sheet of paper at a time. However the actual process or scanning with a sheet-fed scanner may result in distortion as the image to be scanned moves over the scanning heads (Scanner tips 2000). A further limitation of life in a sheet-fed scanners is that they are unable to scan three dimensional objects. This type of taylor scanner is used to scan items such as slides that need careful handling during scanning. Unlike other scanners, the scanning heads in slide scanners do not reflect light from the image, but rather pass light through it. This enables these scanners to produce superior results without distortions caused by reflective light. To be able to scan small and detailed items, these scanners have a large number of life in a castle eyes on the scanning head which produces a high quality result.

Slide scanners tend to be more expensive and less versatile than flatbed and sheet-fed scanners as they are limited to only scanning slides and film. These scanners, however, are well suited to the land users requiring high quality scans of large numbers of slides (Scanner tips 2000). Hand held scanners are compact, portable scanners which are simply dragged across a page manually to capture an image. These scanners are easy to in a use and economical to purchase; however, their use is limited to text of up to four inches in diameter that does not require a high resolution. For this reason, hand held scanners are unsuitable for colour images. A further disadvantage of hand held scanners is that the user must have a steady hand when scanning or the resulting image will be distorted (Scanner tips 2000). The performance of a scanner can be examined in danse macabre tattoo relation to four main criteria: resolution, bit-depth, dynamic range and software. Resolution is a measure of how many pixels a scanner can sample in a given image. It is used to describe the amount of detail in an image (Figeiredo, McIllree and Thomas 1996).

Higher resolution scanners are generally more expensive and castle, produce superior results as they have a greater capacity to capture detail. Scanners have two types of resolutions: optical resolution and interpolated resolution. Optical resolution, or hardware resolution, is a measure of how many pixels a scanner can actually read. A current model desktop scanner typically has a resolution of 300 x 300 dots per inch (dpi) (Anderson 1999) . This means that this scanner has a scanning head with 300 sensors per inch, so it can sample 300 dpi in one direction and 300 dpi in the other direction by ionising radiation 1999, stopping the life in a scanning head 300 times per inch in taylor both directions. Some scanners stop the scanning head more frequently as it moves down the page, giving an in a castle, optical resolution of 300 x 600 dpi; however, scanning more frequently in one direction does not improve the result of the scan.

The basic requirement for scanning detailed images and line art from photos or other printed originals is an optical resolution of 600 dpi. When scanning slides and Countryside Essay, negatives the minimum optical resolution is 1200 dpi. Interpolated resolution measures the number of pixels a scanner is in a able to predict. A scanner can turn a 300 x 300 dpi scan into a 600 x 600 dpi scan by looking in-between scanned pixels and guessing what that spot would have looked like if it had been scanned. This prediction is then used to insert new pixels in between the actual ones scanned.

This technique is less precise than optical resolution; however it assists in improving the radiation regulations 1999 enlargement of scanned images. Bit depth refers to the amount of information that a scanner records for each pixel when converting an image to digital form. Scanners differ in the amount of data they record for each pixel within an image. The simplest kinds of scanners only record data related to black and white details and have a bit depth of in a castle 1 (Anderson 1999). The minimum bit depth required for scanning photographs and documents is 24-bits, while slides, negatives or transparencies need a scanner with at least 30-bits. Thus for a scanner to produce a high quality scan with colour, a higher bit depth is required. In general, current scanners have a bit depth of 24, which means that 8 bits of parents information can be collected for the three primary colours used in scanning; blue, red and green (Anderson 1999). This high resolution allows scanners to produce images close to photographic quality. Dynamic range refers to the measurement of the range of in a tones a scanner can record on Brilliant about John Forbes Nash, a scale of 0.0 to life in a 4.0, with 0.0 being perfect white and 4.0 being perfect black. Colour flat-bed scanners usually have a dynamic range of 2.4. A range of this measurement is unable to provide high quality colour scans.

A dynamic range of 2.8 and to the Essay, 3.2 is suited to professional purposes and can be found in high-end scanners. An even higher dynamic range of 3.0 to 3.8 can be provided by drum scanners. A scanner, like any type of hardware, requires software. Typically the two most common pieces of software provided with scanners include optical character recognition (OCR) and image editing software. Optical character recognition software translates the information recorded in a scan, tiny dots, into a text file which can be edited. Image editing software allows the life castle tones and colours of an philip larkin, image to be manipulated for better printing and display.

Image editing also gives filters to apply special effects to scanned images. The quality of scanned images is constantly improving as characteristics such as resolution, bit-depth and dynamic range are enhanced and further developed. More sophisticated image editing and optical character recognition software development is also resulting in superior quality scans. Future advances are expected to result in the incorporation of specialized scanners into other types of technology such as the recently developed digital camera. This device allows the user to take pictures of three-dimensional objects much like a regular camera, except that instead of using film, the objects are scanned by the camera in in a a similar process to the land by mildred taylor the functioning of a flatbed scanner. The relatively new area of life castle sensor technology in the form of a contact image sensor (CIS) (see Appendix 1) is expected to improve the philip larkin parents functionality of scanners and the quality of images as it replaces the cumbersome optical reduction technique with a single row of sensors (Grotta and Wiener 1998, p. Life Castle. 1). Developers have already been able to produce a CIS scanner which is thinner, lighter, more energy efficient and cheaper to manufacture than a traditional CCD base device.

However, the quality of the scan is larkin not as good as its counterparts. In A Castle. Further development of CIS technology is needed to improve image quality and colour, and to address the problem of a limited 300 or 600 dpi. This report has identified five types of scanners currently available. Some are primarily used for professional purposes such as the drum scanner; others are used more broadly in the workplace and home such as flatbed scanners and to a lesser extent sheetfed scanners. Scanners for specialized purposes have also been identified such as slide and handheld scanners. The performance of these scanners is dependent upon their resolution, bit-depth, dynamic range and software. Scanners have improved significantly in recent years in terms of ionising radiation 1999 weight, size, price and speed, and the replacement of CCD technology with CIS technology is anticipated to produce further benefits to these areas as well as to scan quality. The impact of these improvements is expected to increase the accessibility of scanner technology to life in a castle a wider range of users and its suitability for a wider range of purposes.

In relation to this, the future of scanner technology seems to point to the convergence of Why Move to the Countryside Essay different technologies. Specialized scanners are currently being incorporated into other types of technologies such as digital cameras, printers, and photocopiers. This can be expected to continue with other forms of technology in conjunction with further improvements to image quality, speed, price, size and weight. Anderson, D. Life In A Castle. The PC Guide. [http:www.pctechguide.com/18scanners.htm]. Blatner, D., Fleishman, G. Roth, G. (1998) Real world scanning and halftones 2nd edition, Peachpit Press, USA. Englander, I (2000). The Architecture of computer hardware and systems software.

John Wiley, USA, p272. Figeiredo, J. Tattoo. McIllree, J. Thomas, N. (1996) Introducing information technology 2nd edition Jacaranda Press, Singapore, p145. Grotta, D. and Weiner, S. What#039;s now . What#039;s next. In A Castle. [http://www.zdnet.com/pcmag/features/scanners98/intro.html] PC Magazines 20 October 1998. 8/4/00. Prepress, scanners, digital cameras and ionising radiation, photoCDs. [http://www.prepress.pps.com/mem/lib/ptr/scanners.html] 1998. 6/4/00.

Scansoft scanner tips [http://www.scannercentral.com/scanners/tips/tips1.asp] 2000.6/4/00. Sullivan. M. Types of scanners. [http://hsdesign.com/scanning/types/types.html] 1996. 8/4/00. Clear statement of the four criteria used in the report to in a castle assess the technology. Appropriately mentions an Future Anesthesiologists, important aspect of future enhancements - sensor technology, as well as other aspects of future scanning technology. The comment on the quality of scanned images could be extended to include other desirable improvement outcomes; for example, faster scanning or 3D scanning. States the purpose and outlines the content of the report succinctly at the start. Historical background is then provided. This level of detail should be placed in Section 2 #039;How Scanners Work#039;. Try to avoid repeating ideas in the body of the report by grouping ideas on the same topic or subtopic together.

Good comment - provides an overall picture. It would be more appropriate to discuss such detailed aspects of scanning in the body of the report rather than the life introduction. When a technical term such as this is used it should be explained and related to the previous sentence(s). This paragraph presents a clear definition of how a scanner works. Danse. The student#039;s understanding of the concept is evident because the definition has been clearly expressed in the student#039;s own words and the sources of the castle definition have been acknowledged. The student has used information from only one source for Sections 3.2, 3.3, 3.4, and 3.5. This has severely limited the danse macabre content of these sections of the report. This paragraph provides a good description of this criteria in simple clear language. It would be better to use a more recent reference here.

A 1999 reference which states this is life castle current typical resolution in an essay written in 2002 is inappropriate - computer technology develops very quickly. This concept is poorly explained. The student needs to express the danse macabre main point in more detail. The ideas in this paragraph are well expressed; however the source of these ideas has not been provided. Life Castle. The student needs to tattoo provide references. The concept of #039;dynamic range#039; has not been sufficiently explained here. The student needs to life in a provide further detail and to provide references to the sources of information used.

As in Countryside Essay the previous paragraph, the concept has not been sufficiently explained. Further detail is required, especially in relation to life in a castle the current capabilities and limitations of the software. References to the sources used are also required here. This sentence is too general. It would be better to include more specific information about the kind of enhancements being referred to. This paragraph provides an appropriate amount of detail. Significant improvements to the field are identified in a brief discussion of new technology. However the student has again omitted references to the sources used in the discussion. This conclusion presents a brief summary of the main ideas that have been established in the report. Unfortunately, it typifies the Essay limitations of the report; that is, the content is too general - more specific detail is life in a castle required. To The Countryside Essay. A further improvement would be to provide more detail on how the in a castle current state and Why Move to the Essay, future position of scanner technology is in a related to philip the broader field of computer technology.

WARNING - do not use this reference list as a model! The number of sources used in life an assignment depends on the quality of the sources - their currency, reliability, and the amount of relevant information. This reference list consists of 8 sources: 3 books, 1 magazine, and the land, 4 commercial web sites. Life In A. It does not meet the requirements of the assignment description. One source is used for a number of sections in the report. The reference list needs to include several academic journal articles and more magazine articles. This would enable a wider range of the land by mildred taylor opinions and life, ideas to danse be included. For this report, it is best to life only use commercial web sites published by Essay, major manufacturing companies which provide technical and educational information rather than online shopping or reseller sites, or sites developed by individuals. Content and layout: The citations need to include appropriate details, and to be punctuated according to life in a the Harvard Referencing System. For example, the Why Move Countryside country (USA) has been provided as the place of in a publication in macabre a number of citations instead of the name of a city or town, the life castle copyright dates of Essay on My in Medicine Anesthesiologists many of the web sites has not been included, and the inclusion of life in a castle a page number for a book (p.145) is not necessary in the reference list (it is required in Why Move to the Countryside the text if the student is life making a direct quote). The use of punctuation in this reference list is inconsistent and not always appropriate.

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Create an asset tracker solution using InfoPath and Excel. Microsoft Office InfoPath lets you create form templates for data entry and life castle collection. Microsoft Office Excel 2007 enables users to radiation calculate, chart, and analyze data. By using both of these programs and XML, you can easily create a simple but effective, no-code business solution for tracking assets in a company. Introduction to in a creating an Asset Tracker solution. You can exchange XML data between InfoPath and taylor Excel. Although the Infopath Export command is a simple, straightforward way to send form data to Excel, there's another approach you can take which gives you much more flexibility. By explicitly mapping the InfoPath XML schema file (.xsd) in in a castle Excel, and then importing InfoPath form files (.xml) into Excel, you can customize the layout of your data and better leverage the on A Madness Forbes Nash, features in in a Excel to help you manage and analyze your data more efficiently. In this article, we will use the Essay on My as a Anesthesiologists, InfoPath Asset Tracker sample form template to illustrate how you can make InfoPath, XML, and Excel work together.

Imagine that each year, your organization inventories assets in life castle each employee's office. Then, an Excel report is run to help decide how to allocate the equipment budget for next year. Ionising Radiation 1999! The following diagram is an overview of how you can gather, track, and report asset data in in a your department. 1. Tattoo! The Asset Tracker form template is created. 2. The schema file is life mapped to larkin parents an Excel table and the table layout is life castle customized. 3. A blank PivotTable and PivotChart summary report is created.

4. The Asset Tracker form is used to collect data from users. 5. All form data is radiation 1999 exported into the Excel table and the PivotTable and PivotChart reports are refreshed. This solution involves the castle, following user roles and products: = Required = Not required. Office InfoPath 2007. Office Outlook 2007. Office Excel 2007. Step 1: Customize the Asset Tracker form template. The Asset Tracker form template, which is included in InfoPath, enables you to gather information about each asset in an employee's office, the Brilliant Madness about Forbes, department that the employee belongs to, categories of assets, and details about each asset. Life In A! In this solution, a form designer submits the form template to the decision-maker's e-mail account by the land taylor using Office Outlook 2007. Task 1: Open and life in a castle customize the Asset Tracker form template.

Because you cannot publish a form template to a list of e-mail recipients if it has a rich text box control containing linked images, you need to make a small change to the Asset Tracker sample template form. On the File menu, click Design a Form Template . In the philip parents, Design a Form Template dialog box, under Open a form template , click Customize a sample . In the Getting Started dialog box, click Sample - Asset Tracker , and then under Form Tasks , click Design this form . Right click the assetNotes control, point to Rich Text Box properties, click the castle, Display tab, and then under Available formatting , clear the Linked Images check box. The next task is to define the Submit options so that the Essay on My, employees can submit a uniquely named form file (.xml) to the decision-maker's e-mail account as an attached file. On the Tools menu, click Submit Options . In the Submit Options dialog box, select the Allow users to submit this form check box. Click Send form data to a single destination , and then, in the list, click E-mail . The Data Connection Wizard appears. In the To box, type the in a castle, alias of the decision-maker who will receive all the submitted forms. To specify a unique subject line, in the Subject box: Click Insert Formula . Type the following formula: Click Verify Formula , and the land by mildred then click OK twice. In the life, Introduction box, type an appropriate message or add important instructions for tattoo, this solution.

On the next page of the wizard, click Send the form data as an attachment , and then select the Attach the form template to in a castle ensure that users can open the form check box. This helps ensure that employees have access to the form template file (.xsn) in case they cannot access it from it's network location. To specify a a unique file name for each form file (.xml) in the Attachment Name box: Click Insert Formula . Type the tattoo, same formula as the one on the Subject line: Click Verify Formula , and then click OK twice. On the life castle, next page of the philip, wizard, in the Enter a name for this data connection box, type a descriptive name for this submit data connection. Verify that the information is castle correct in Future in Medicine Anesthesiologists the Summary section, and castle then click Finish . Save the form it to a public network folder accessible to the decision-maker and to all employees.

Step 2: Map the danse macabre, schema file and customize the table layout in Excel. Setting up the connection between InfoPath and Excel requires three tasks: extracting the schema file for the Asset Tracker form template, mapping this schema file in Excel, and customizing the life in a, default layout of the Excel table that will contain all the imported XML form data files. Task 1: Extract the on My Future in Medicine as a Anesthesiologists, schema file from InfoPath. In InfoPath, open the Asset Tracker form template file. On the Tools menu, click Design this Form . On the File menu, click Save As Source Files . In the Browse for Folder dialog box, select a folder or create a new folder where you want to store the schema file. Note the location of the life in a castle, folder where all of the source files are saved and the name of the schema file, in this case, myschema.xsd , which contains the schema definition of the form XML data. Task 2: Map the InfoPath schema file in Excel.

Create a new Excel file, and then save it to ionising 1999 a location accessible to life the decision-maker. In Excel, if the Developer tab is not visible, do the following: Click the Microsoft Office Button , and then click Excel Options . In the Popular category, under Top options for working with Excel , select the Show Developer tab in the Ribbon check box, and then click OK . Note: The Ribbon is a component of the Microsoft Office Fluent user interface. On the Why Move to the Countryside, Developer tab, in the XML group, click Source . The XML Source task pane is displayed. Click XML Maps , and then in in a the XML Maps dialog box, click Add . On a computer that is running Windows Vista. In the Address bar , click the ionising 1999, drive or folder that contains the myschema.xsd file that you created in step 2 of the section, Task 1: Extract the schema file from InfoPath. On a computer that is running Microsoft Windows XP. In the Look in life in a list, click the drive or folder that contains the myschema.xsd file that you created in step 2 of the section, Task 1: Extract the taylor, schema file from InfoPath. Click the file, and then click Open . When the Multiple Roots dialog box appears, click the in a castle, assetTracking root node that is defined in the myschema.xsd file, and then click OK . The XML map is displayed in the XML Source task pane.

Drag the ns1:asset node element, which is a repeating XML element, to the worksheet location where you want the Excel table to appear. Task 3: Customize the layout of the danse macabre tattoo, Excel table. By default, Excel uses the XML element names as column headings for life in a, the table. However, you can change the Why Move Countryside Essay, column headings by editing the column header cells. To modify the life in a, default column headers, keep the Excel table selected, find the following string prefix, ns1:asset , and remove it. For example, you would change ns1:assetID to ID . To adjust the column width, click the Select All button, and then double-click any column heading boundary.

Step 3: Create a PivotTable and PivotChart summary report. Decision-makers use PivotTable and PivotChart reports to analyze, explore, and visualize summary data. By setting up the philip larkin, PivotTable and PivotChart reports you want to use in this scenario ahead of time, it will be a simple operation for a decision-maker to run the report with the completed data later. Select a cell in the Excel table. On the Insert tab, in the Tables group, click PivotTable , and then click PivotTable . Excel displays the Create PivotTable dialog box. To place the PivotTable report in life in a castle a new worksheet starting at cell A1, click New Worksheet , and then click OK . Excel adds an empty PivotTable report to the specified location and displays the PivotTable Field List so that you can add fields, create a layout, and danse macabre customize the PivotTable report.

To create a cross-tabular report of the data, drag the ID field to the Values area, the Department field to the Column labels area, the Category field to the Row labels area, and the AssignedTo field to the Report Filter area. Click the life castle, PivotTable report. On the Essay Madness Nash, Insert tab, in the Charts group, click the Bar chart type. Under 2-D Bar , select Clustered Bar . Adjust the size and location of the PivotChart report to your preference. Step 4: Collect asset information from users. Now, that the form template is ready to be filled out by all of the employees, you need to publish the form and send it to each employee. When each employee submits the completed form, it is sent as an XML data file (.xml) attached in an e-mail message to the decision-maker's e-mail account. The decision-maker can then move all of the life castle, messages to a dedicated InfoPath folder in Outlook. In this scenario, it is macabre recommended that you assign a specific time-period for all users to complete the in a castle, forms so that the decision-maker can run the report with all the completed forms when the ionising regulations 1999, data-gathering deadline has been reached.

On the Tools menu, click Design this Form . On the File menu, click Publish . In the Publishing Wizard, click To a list of e-mail recipients , and then click Next . On the next page of the wizard, in the Form template name box, type a name for the form template, and then click Next . The form template name will appear in the subject heading of the message that is sent to your e-mail message recipients. Optionally, on the next page of the wizard, you can create columns that will appear in your Outlook folders to help organize your e-mail messages. After the Publishing Wizard finishes publishing the form template, an e-mail message with the form will open. Fill out the message, type in the employee names or use a distribution list, and then send the message. In Outlook, the decision-maker can organize all of the submitted XML forms in one of two ways: If the InfoPath Form folders message box appears the first time the message opens, click Create Form Folder . Create a rule in Outlook to move all of the related InfoPath forms to life in a an InfoPath folder.

Because you already created the regulations 1999, Excel workbook steps 2 and 3, it's a simple matter for the decision maker to life in a castle export and review the form data. On A Brilliant Madness Nash! The decision maker simply needs to life export the xml files (.xml) from Outlook, import all of the form files (.xml) into the Excel workbook, and the land by mildred then refreshing the data. Task 1: Export the forms from Outlook to life in a castle a Windows folder. In Outlook, select the folder that contains all of the forms that you received from on A Brilliant about John Nash employees, and life then press CTRL+A to macabre select all of the form e-mail messages. Right click the selection, point to InfoPath Actions , and then click Export Forms . In the Export Forms dialog box, select a folder, and press OK . Task 2: Import the forms into Excel. In the Excel workbook that you created in castle Step 2: Map the schema file and customize the table layout in Excel, select one of the mapped cells in the Excel table. On the Developer tab, in the XML group, click Import . The Import XML dialog box is displayed. On a computer that is running Windows Vista. In the Address bar , click the folder that contains the XML data files (.xml) created in Task 1: Export the forms from about John Outlook to a Windows folder. On a computer that is running Microsoft Windows XP.

In the Look in list, click folder that contains the XML data files (.xml) created in Task 1: Export the forms from Outlook to a Windows folder. Do one of the following: If the files are contiguous, press SHIFT, and then click the first and the last file in the list. If the files are not contiguous, press CTRL, and then click each file that you want to import in the list. By default, Excel overwrites any existing data in the mapped cells, which is the desired final outcome for this business solution. Life In A! However, a decision-maker could, for example, import the philip parents, data several times to gauge progress before the scheduled deadline. Note: In Excel, you can also append the data by using the Append new data to existing XML tables option (on the Developer tab, in life castle the XML group, click Map Properties ), which may be appropriate for other solutions. Task 3: Refresh the PivotTable and PivotChart reports. Click a cell in the PivotTable report.

On the Options tab, in the Data group, click the by mildred taylor, arrow next to Refresh All , and then click Refresh . The Excel workbook now contains all of the in a castle, data and summary reports that you need to help you allocate the equipment budget for by mildred, next year. Of course, you can do further analysis in your Excel workbook if necessary, such as sorting, filtering, or conditionally formatting the data. Final thoughts: Consider using a SharePoint list or Access database. As an in a, alternative, consider using a SharePoint list or Access database, instead of XML, to transfer data between InfoPath and Excel. From InfoPath, you can easily use a SharePoint list as a read-only data source.

You can do one of two things: From the SharePoint list, export the data to Excel, which automatically creates a data connection in Excel. From Excel, explicitly create a data connection to the SharePoint list. Once a data connection is created, you can refresh the data in on My Future Excel to retrieve up-to-date data. You can use a SharePoint list to add and life update the data, use an InfoPath form to display an item from the list (for example, a complex or long item best displayed vertically), and then use Excel to further analyze the data. 1. Display a single item for easy review in InfoPath. 2. Add and update data in a SharePoint List. 3. Refresh and report up-to-date with Excel. From InfoPath, you can create a read/write connection to an Access database. From Excel, you can explicitly create a data connection to the Access database that you can refresh to retrieve up-to-date data.

You can even define the connection to automatically refresh when the workbook is opened, or periodically refresh, such as every 5 minutes. You can use an Access database as an intermediary between InfoPath and Excel. When you submit an InfoPath form to the land by mildred Access, you update the Access database. In A! When you refresh the data connection in Excel, you retrieve updated data from Access. In effect, you are submitting data indirectly from InfoPath to an Excel workbook. 1. Display and the land taylor submit a form to life in a an Access database. 2. The Land! Store data in an Access database. 3. Refresh and castle report up-to-date with Excel.

Tip: Did you know that you can create an InfoPath form directly from Access 2007? If your users have Outlook 2007 and philip larkin parents InfoPath 2007 installed on their computers, you can gather data from diverse users directly from Access 2007 by using the Collect data from e-mail messages wizard. For more information, see the Acess 2007 help topic, Collect data by using e-mail messages.